Breath

by

Tim Winton

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Breath: Pages 78-118 Summary & Analysis

Summary
Analysis
Bruce returns to school at the end of the summer with obligatory whining, but secretly he enjoys it. He takes refuge in the school library and dives into classic adventure tales. A girl named Queenie, who also haunts the library, decides that Bruce is her boyfriend, and it becomes so. Bruce suspects that he only likes her because she liked him first, although she is plenty likeable in her own right. One day, two older cadet students declare loudly and crudely that Queenie has nice breasts, sending her crying to the bathroom. Bruce is unsure how to respond and fails to react, thereafter feeling like he failed some kind of test that he didn’t understand.
As he returns to school, Bruce continues to exhibit a divide between his private experience and what he’s willing to express, again pointing to his poor communication skills. Queenie is the first romantic interest in Bruce’s life, although his relationship with her comes about totally passively. His lack of experience with women and general alienation from the macho mainstream come to light in the incident with the cadets.
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Just as surf season is picking up, Loonie breaks his arm in a foolish stunt, trying to get himself launched out of a blowhole in the rocks. Eva is around to drive the boys home, but she seems to take pleasure in Loonie’s pain.
Eva’s persistent bitterness remains a mystery. Loonie’s negative view of her is somewhat validated here.
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In the summer prior to the injury, Bruce and Loonie had passed the season of flat water by freediving and building their lung capacity, seemingly outdoing even Sando in this regard. Sando gradually gives in to the boys’ pestering for information about Old Smoky, the giant offshore wave they’d seen. Soon, he takes them there to free dive around the underwater reef at the site. They marvel at the topography and submarine life, and Bruce and Loonie engage in one of their old breath-holding contests.
The boys’ playful boyhood pastime of competitively holding their breaths has evolved into a serious preparation for the extreme surfing they plan to undertake. Sando caving in to their requests to see Old Smoky suggests that he recognizes their seriousness about the sport, and perhaps even that he's beginning to see them as equals.
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The boys eagerly check weather maps anticipating a time when the Old Smoky break will get big enough to surf. Bruce’s parents don’t question him about spending time with Sando, but they have no idea of the danger of what he’s getting into. Loonie’s parents are more skeptical, but still ignorant of the true nature of their exploits. In the present, Bruce reflects on how different those times were from today.
Here, Bruce’s parents’ poor communicative skills are highlighted as somewhat responsible for the increasingly dangerous exploits their son is getting involved in, which they are too awkward and reserved to ask about. However, Bruce in the present day emphasizes that society in general was very different in the 1970s, with much less parental oversight.
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It happens that the storm required for Old Smoky to become surfable arrives while Loonie’s arm is still injured. Sando arrives to pick the boys up, but Loonie sulks off, refusing even to come along and watch, and insulting Bruce as a chicken. After he leaves, Sando tells Bruce that everyone is chicken, and extreme activities are a way of facing that fear.
Loonie’s bitterness is understandable, and it never occurs to Bruce or Sando to wait until Loonie has healed before they surf Old Smoky. Sando’s philosophical musing is another bit of wowing rhetoric, but it does suggest that he has more mature ideas about fear than Loonie.
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As Bruce and Sando climb down to the break, Bruce’s fuming over Loonie’s insults temporarily blocks the fear from his mind. When it’s time to jump in, however, the apprehension returns, but Bruce doesn’t speak up; he follows Sando in. A long paddle out brings them close enough to the wave for Bruce to become terrified of its force. He would chicken out, but he can no longer tell where the shore is.
Loonie’s allegation of “chicken” is validated here, but ironically, his making the allegation has clouded Bruce’s mind with anger to the extent that he misses his opportunity to chicken out. Loonie has thus inadvertently forced Bruce to disprove him.
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Sando catches a wave and returns ecstatic. He lightheartedly but persistently pressures Bruce into riding one himself, but Bruce is frozen with anxiety and sensory overload. Sando suggests they take a break and free dive. During his dive, Bruce’s confidence in his aquatic abilities returns. He goes on to ride the big wave successfully twice, getting an overwhelming rush. He gets greedy to repeat it and miscalculates, getting violently tossed by the wave and held deep underwater. Sando remains grinning when Bruce finally emerges, but Bruce is humbled.
Just like when Slipper peer pressured Bruce into surfing a wave beyond his experience level, Bruce caves in to Sando’s pressure, suggesting his continued weakness in this regard. Yet, again like the episode with Slipper, this caving in yields epic results and an incredible thrill, which actually boosts his confidence. Bruce’s rough fall humbles him, but not enough to mitigate the ecstasy of the successful rides.
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Bruce and Sando return to Bruce’s house, knowing that Loonie will show up sooner or later. Eva makes them burgers while they enthusiastically rehash the day and fight off sleep. Loonie appears, and Eva invites him inside, but he doesn’t thank her, angering her. They tell Loonie about the waves: while Bruce plays down his accomplishment, Sando says that he’s made history today. Bruce realizes that he’s surely the youngest person ever to surf Old Smoky.
Eva’s warm reception for Bruce and Sando here suggests that Loonie in particular may be the source of her usual irritation. This implication grows stronger when Loonie arrives and immediately provokes her.
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Loonie is driven by the exploit he missed out on to outdo them both as soon as his arm has healed. He pulls this off, surfing Old Smoky with a fearlessness that makes even Sando marvel. Henceforth, the three of them return to the spot regularly. Sando initiates the boys in yoga and healthy eating as they become more serious about their outings. They become a fine-tuned unit in the water. Outside of surfing, however, a gap begins to grow between Bruce and Loonie, which had been opened the first time Bruce surfed Old Smoky while Loonie was injured. Bruce doesn’t mind this new distance, as he is uninterested in the hooligan antics of Loonie’s agricultural school friends, with whom Loonie starts spending more time.
Loonie’s bitterness over missing out on the first surf at Old Smoky sharpens his competitive edge. However, despite the growing gulf between him and Bruce in other aspects of their life, the boys and Sando become more serious and coordinated than ever in the water. These contrary movements underscore the total priority that surfing holds in their lives, allowing them to spend huge amounts of time and effort together despite their growing distance or even hostility.
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One rainy day on the ride to school, Bruce’s bus comes across a horrifying accident: a car has been crushed beneath an overturned cattle truck, and wounded animals are strewn across the road. The bus driver is uncertain whether to get out and help. When he finally does, his trepidatious pace infuriates Bruce, who leaps off the bus and runs past the driver to the truck. He can see that the woman in the car is dead, and the man next to her seriously wounded. The truck driver is stuck in his cab, and Bruce climbs the truck to try and break in the back windshield. Then the police and firemen arrive and take over.
This shocking scene evokes a sense of randomness in life and a constant proximity to death. Unlike the bumbling bus driver, Bruce is by this point well experienced in confronting fear and coming close to death, and he fearlessly leaps into action with bravery far beyond his years. The incident foreshadows his adult choice of occupation as a paramedic and is perhaps the moment that planted that seed in his mind.
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That same night, Bruce reluctantly goes to the school dance, since his parents tell him he cannot stand up Queenie, but he is understandably disconnected from his surroundings. Queenie berates him for not telling her about the accident that morning, and Bruce just shrugs. Bruce’s father drives him home, and the dead fish that he caught while his son was at the dance revolt Bruce in a new way.
Bruce’s parents here demonstrate their stodgy, old-fashioned values, disregarding their son’s trauma and insisting on a social commitment. Like his parents, Bruce demonstrates his poor communication skills by saying nothing to Queenie about his experience.
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All winter, Bruce spends much of his time anxiously anticipating the next surf outing to Old Smoky or Barney’s. He struggles to replicate the thrill he gets from these expeditions elsewhere in his life, and he spends most of his time in a state of agitation. Queenie breaks up with him via impersonal note, and Bruce is secretly relieved.
Bruce’s secret relief when Queenie breaks up with him highlights the solitary, serious, demanding nature of his personality. Surfing is all that matters; everything else is just a distraction. In these months, it becomes evident how much of a problem this creates for Bruce in other facets of his life.
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Loonie, meanwhile, finds a new way of seeking thrills on land. A 40-year-old woman named Margaret Myers has begun lodging above his family pub. Loonie deduces that she is a prostitute and cuts a peephole into her room, regaling Bruce with sordid details that Bruce cannot believe, although he doesn’t admit it. Loonie, however, can tell that Bruce doesn’t believe him and insists that he come watch for himself. Bruce’s vocal shock at the sex act he witnesses alerts Margaret, who sees him for a split second, but goes on anyway. From the sound of his groans, they figure out that her partner is Loonie’s father Karl, but Loonie keeps his eyes to the peephole anyway.
Bruce’s disbelief over the sexual details Loonie provides to him indicates that his relationship with Queenie never progressed very far physically. That Bruce’s first exposure to sex should take the form of voyeurism creates a bond between sex and perversion in his mind. Loonie, for his part, displays a characteristic fearlessness that here crosses over into unnatural territory.
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In the present, Bruce reflects on how long it took him to wonder about Sando and Eva’s living situation. Beyond most hippies, who condescended to the thought of work, they simply never mentioned it. And yet, they lived in a nicer house than many townies. Bruce gave no mind to this question as a boy. He was happy simply to soak in the special lifestyle the couple had. When Sando would talk about the dramatic rebirth experience of extreme danger, Eva would claim to understand perfectly, but Bruce would wonder how she could know what he meant.
Bruce’s narrative interjection here serves to remind the reader of just how strange many aspects of the story he has been telling really are. Much remains unexplained about Sando and Eva, though Eva’s character takes on a new aura of ominous depth and experience.
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One day, Sando upsets the equilibrium that the boys have arrived at regarding their dangerous lifestyle: he tells them of an even more dangerous and astounding wave called the Nautilus, on a reef three miles offshore, never surfed by anyone before. Ships will not even get near it. Sando gleefully begins hinting that they should surf it while freely admitting his own fear. Loonie disapproves of this expression of fear, but Sando counters with a long speech explaining how fear is human and confronting it has led to humankind’s greatest accomplishments. He says that to deny fear is “unmanly,” and Eva interjects to take issue with his sexist choice of word.
Once again, Sando waxes philosophical about fear and existential struggles, inspiring Loonie’s contempt but nevertheless indicating a more considered perspective on the subject of fear than Loonie has to offer. Eva, however, takes the wind out of Sando’s sails with a rare interjection. Her speaking up here raises the question of whether she’s continually annoyed by the male bombast she lives with and only occasionally decides to speak up about it.
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The boys agree to go scope out the Nautilus break and return to lighthearted banter. On the inside, however, Bruce feels a queasy sense of dread: his exploits the past few months have been thrilling and have given him a heady feeling of power, but he feels less certain about his ability to take on this new challenge.
Bruce internally recognizes his uncertainty, but his uncertainty has never withstood peer pressure in the past, and there is no real reason to assume that the same won’t hold true at the Nautilus.
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