“Ordinary” and “extraordinary” become watchwords for the central characters in Breath, motivating their increasingly reckless stunts while simultaneously shadowing them with anxiety. In the rugged Western Australian countryside of the 1970s, teenage friends Bruce and Loonie are drawn first to the sport of surfing, and then to the mysterious elder surfing master Sando, for the escape from their ordinary lives that both represent. Sando makes the binary explicit one day when he tells the boys what it’s like to experience near-death on an overpowering wave: “You’ll be out there, thinkin […] Do I know what I’m doin? Am I solid? Or am I just… ordinary?” Bruce reflects from the present day that “We didn’t know it yet, but we’d already imagined ourselves into a different life, another society […] we’d left the ordinary in our wake.” This dichotomy becomes the prism through which Bruce sees everything: his acting like “any reasonable person” in deciding not to surf the dangerous Nautilus wave “was exactly the problem: I was, after all, ordinary.” This thought crushes him for a time, driving him to attempt reckless surf missions to disprove it. Later, he becomes so enamored with Sando’s partner, Eva, because he feels that she’s “not in the least bit ordinary.”
The dark side of Eva’s “extra-ordinariness,” however—which ultimately draws Bruce into risky and exploitative sexual encounters—alerts Bruce to the danger of valuing exceptionality above all else. At his last coincidental meeting with Sando, Sando expresses his disappointment with how Loonie turned out: “I thought he was the real deal, y’know? The man not-ordinary,” to which Bruce replies, “Maybe ordinary’s not so bad.” Though still a teenager, Bruce has matured beyond the 36-year-old Sando in this passage, and Sando’s fixation on the extraordinary seems childish by comparison. Ultimately, Bruce overcomes this binary and finds a way to incorporate the extraordinary in the ordinary: as a paramedic, he continues to thrive off adrenaline and proximity to death, but these are now the ingredients of a steady job. He becomes an ordinary, productive member of society by the extraordinary act of saving other people’s lives (rather than risking his own to prove something to others and himself). Overall, Bruce’s trajectory suggests that pursuing the extraordinary for its own sake doesn’t actually help a person mature or benefit those around them as much as striving for excellence in ordinary, worthwhile pursuits.
Ordinary vs. Extraordinary ThemeTracker
Ordinary vs. Extraordinary Quotes in Breath
I take a piss, put the kettle on and snatch the didj up off the seagrass matting of the floor. Out on the balcony my herbs are green and upright. I tamp down the beeswax around the pipe mouth and clear my throat. Then I blow until it burns. I blow at the brutalist condos that stand between me and the beach. I blow at the gulls eating pizza down in the carpark and the wind goes through me in cycles, hot and droning and defiant. Hot at the pale sky. Hot at the flat, bright world outside.
That was the first of many such days and we were friends and rivals from then on. It was the beginning of something. We scared people, pushing each other harder and further until often as not we scared ourselves.
I couldn’t have put words to it as a boy, but later I understood what seized my imagination that day. How strange it was to see men do something beautiful. Something pointless and elegant, as though nobody saw or cared.
I leant across the wall of upstanding water and the board came with me as though it was part of my body and mind. The blur of spray. The billion shards of light. I remember the solitary watching figure on the beach and the flash of Loonie’s smile as I flew by; I was intoxicated. And though I’ve lived to be an old man with my own share of happiness for all the mess I made, I still judge every joyous moment, every victory and revelation against those few seconds of living.
More than once since then I’ve wondered whether the life-threatening high jinks that Loonie and I and Sando and Eva got up to in the years of my adolescence were anything more than a rebellion against the monotony of drawing breath.
Nothing would have made me own up to this at the time but I actually liked being in school. There was a soothing dullness in the classroom, a calm in which part of me thrived. Could be it was the orderly home I grew up in, the safety of always knowing what came next.
There was something about Sando that wasn’t settled. He wasn’t fixed like my father, and intrigued as I was I found this aspect of him confusing to the point of anxiety. It was as though he wasn’t quite as old as he looked, as if he hadn’t yet finished with himself.
That eye, said Loonie, was like a fuckin hole in the universe.
It was as close as he got to poetry. I envied him the moment and the story that went with it.
Was I serious? Could I do something gnarly, or was I just ordinary? I’ll bet my life that despite his scorn Loonie was doing likewise. We didn’t know it yet, but we’d already imagined ourselves into a different life, another society, a state for which no raw boy has either words or experience to describe. Our minds had already gone out to meet it and we’d left the ordinary in our wake.
I shat meself, I said. I took the worst floggin. I freaked.
But he did the deed, said Sando. Made himself a little bit of history.
It took me a moment to absorb what he’d said. For if Sando was the first to have ridden Old Smoky, then I was surely the youngest. I could see Loonie thinking it through right there in front of me. He flapped the soggy hems of his jeans. The gesture was nonchalant, but I knew him better than that.
Your time’ll come, said Sando.
For the past few months I’d been an outrider, a trailblazer, and the excitement and strangeness of it had changed me. There was such an intoxicating power to be had from doing things that no one else dared try. But once we started talking about the Nautilus I got the creeping sense that I’d begun something I didn’t know how to finish.
Loonie and Sando planned new assaults on the Nautilus using shorter boards – two only – shaped for the purpose. We never broached the subject of whether I’d accompany them. God knows, I should have been relieved, but I was inconsolable. I knew any reasonable person would have done what I did out there that day. Which was exactly the problem: I was, after all, ordinary.
When I looked at girls now I compared them to Eva – the shape of their legs, the skinniness of their arms, the way they sheltered their breasts with their shoulders. Their perfumes smelt sugary as cordial. I hated all their rattly plastic bangles, and the way they plastered their zits with prosthetic-pink goo and chewed their lips when they thought no one was looking. Unless every single one of them was lying, they were all going out with older blokes, guys with cars and jobs, men who liked their peroxided fringes and bought them stuff. They suddenly looked so … ordinary.
No, Eva was not ordinary. And neither was the form of consolation she preferred. Given my time over I would not do it all again. People talk such a storm of crap about the things they’ve done, had done to them. The deluded bullshit I’ve endured in circled chairs on lino floors. She had no business doing what she did, but I’m through hating and blaming. People are fools, not monsters.
I understand you, Pikelet. And I understand Sando. But he’s never had anything precious taken away.
Eva —
But you, she said taking my hand. You’re different. I can see it in your face. You’ve got this look. Like you’re expecting to lose something – everything – every moment.
Man, what a disappointment he turned out to be.
I spose.
Mate, I thought he was the real deal, y’know? The man not-ordinary.
Maybe ordinary’s not so bad, I offered.
I started, despite myself, to fool with electricity. A couple of times I came to on the tile floor at work, down beneath the sinks and benches where the odours of agar and disinfectant and formaldehyde brewed like some obscene secret, and the return of consciousness brought with it a sad blankness like the lingering melancholy after sex.
I didn’t understand this behaviour. I had no special interest in electricity. Granted, it’s a potent, tangible presence in a world that’s cast off presences. It was just a moment of righteous sensation, like a blow to the head. It knocked me down. It hurt like hell. But it was something I could feel.
They probably don’t understand this, but it’s important for me to show them that their father is a man who dances – who saves lives and carries the wounded, yes, but who also does something completely pointless and beautiful, and in this at least he should need no explanation.