Breath

by

Tim Winton

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Friendship, Mentorship, and Coming of Age Theme Analysis

Themes and Colors
Ordinary vs. Extraordinary Theme Icon
Risk, Fear, and Ecstasy Theme Icon
Time, Nostalgia, and Historical Change Theme Icon
Friendship, Mentorship, and Coming of Age Theme Icon
LitCharts assigns a color and icon to each theme in Breath, which you can use to track the themes throughout the work.
Friendship, Mentorship, and Coming of Age Theme Icon

Like many classic coming-of-age tales, Breath depicts the interplay between external influences and internal realizations in the crucial transitional years of adolescence. Bruce’s initial encounter with Loonie catalyzes his transition from being a solitary child to an energetic young teenager. Adults are not very present in the boys’ lives, and they are thus responsible for one another’s growth, even though they are both equally clueless about the world. Their constant daring of one another to do reckless stunts embodies this sense of naïve, haphazard, but eager and meaningful discovery of what life is about. Loonie is more outgoing than Bruce, and his influence is enough to break Bruce out of his shell to an extent. The novel suggests that this is what friends are for at that age: pushing each other forward to places unknown to both.

That joyful ignorance has its limits, however, and this is where elders come into play: Sando plays the pivotal role of mentor to the boys, rapidly expanding their sense of life and its possibilities. Ultimately, however, Sando’s attempts to impart his life philosophy to the boys (or even indoctrinate them in it) prove to be a necessary but only transitional step for Bruce on his own journey to personal maturity. It is not the acceptance of this older man’s wisdom about the need to be “extraordinary” that marks Bruce’s maturity. Rather, Bruce’s ability to reject that ethos after being temporarily but deeply immersed in it is the sign of a genuine and independent coming of age. Loonie’s coming of age consists in a rejection of the more vulnerable aspects of Sando’s life philosophy and a retrenchment of his adolescent hostility, and in this sense he never really “matures” at all. Ultimately, then, Breath suggests that true maturation requires tapping into one’s own wisdom and independence but also learning from one’s mentors and friends along the way. Through Loonie’s character, the novel cautions against veering too far in either direction, lest a person fail to learn from those around them and be left in a state of arrested development.

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Friendship, Mentorship, and Coming of Age ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Friendship, Mentorship, and Coming of Age appears in each chapter of Breath. Click or tap on any chapter to read its Summary & Analysis.
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Friendship, Mentorship, and Coming of Age Quotes in Breath

Below you will find the important quotes in Breath related to the theme of Friendship, Mentorship, and Coming of Age.
Pages 1-37 Quotes

That was the first of many such days and we were friends and rivals from then on. It was the beginning of something. We scared people, pushing each other harder and further until often as not we scared ourselves.

Related Characters: Bruce (speaker), Loonie
Page Number: 16
Explanation and Analysis:

I couldn’t have put words to it as a boy, but later I understood what seized my imagination that day. How strange it was to see men do something beautiful. Something pointless and elegant, as though nobody saw or cared.

Related Characters: Bruce (speaker)
Page Number: 25
Explanation and Analysis:

I leant across the wall of upstanding water and the board came with me as though it was part of my body and mind. The blur of spray. The billion shards of light. I remember the solitary watching figure on the beach and the flash of Loonie’s smile as I flew by; I was intoxicated. And though I’ve lived to be an old man with my own share of happiness for all the mess I made, I still judge every joyous moment, every victory and revelation against those few seconds of living.

Related Characters: Bruce (speaker), Loonie
Page Number: 35
Explanation and Analysis:
Pages 37-78 Quotes

More than once since then I’ve wondered whether the life-threatening high jinks that Loonie and I and Sando and Eva got up to in the years of my adolescence were anything more than a rebellion against the monotony of drawing breath.

Related Characters: Bruce (speaker), Loonie , Sando, Eva
Related Symbols: Breath
Page Number: 43
Explanation and Analysis:

Nothing would have made me own up to this at the time but I actually liked being in school. There was a soothing dullness in the classroom, a calm in which part of me thrived. Could be it was the orderly home I grew up in, the safety of always knowing what came next.

Related Characters: Bruce (speaker), Loonie , Bruce’s Father , Bruce’s Mother
Page Number: 55
Explanation and Analysis:

There was something about Sando that wasn’t settled. He wasn’t fixed like my father, and intrigued as I was I found this aspect of him confusing to the point of anxiety. It was as though he wasn’t quite as old as he looked, as if he hadn’t yet finished with himself.

Related Characters: Bruce (speaker), Sando, Bruce’s Father
Page Number: 68
Explanation and Analysis:

That eye, said Loonie, was like a fuckin hole in the universe.

It was as close as he got to poetry. I envied him the moment and the story that went with it.

Related Characters: Bruce (speaker), Loonie (speaker)
Page Number: 76
Explanation and Analysis:

Was I serious? Could I do something gnarly, or was I just ordinary? I’ll bet my life that despite his scorn Loonie was doing likewise. We didn’t know it yet, but we’d already imagined ourselves into a different life, another society, a state for which no raw boy has either words or experience to describe. Our minds had already gone out to meet it and we’d left the ordinary in our wake.

Related Characters: Bruce (speaker), Loonie , Sando
Page Number: 78
Explanation and Analysis:
Pages 78-118 Quotes

I have no doubt that in a later era he’d have been seen as reckless and foolhardy, yet when you consider the period and the sorts of activities that schools and governments sanctioned, Sando’s excursions seem like small beer. We could have been staying back at school as army cadets, learning to fire mortars and machine-guns, to lay booby traps and to kill strangers in hand-to-hand combat like other boys we knew, in preparation for a manhood that could barely credit the end of the war in Vietnam. Sando appealed to one set of boyish fantasies and the state exploited others. Eva was right – we were Sando’s wide-eyed disciples – but in the sixties and seventies when we were kids there were plenty of other cults to join, cults abounding.

Related Characters: Bruce (speaker), Loonie , Sando, Eva
Page Number: 88
Explanation and Analysis:

I am chicken, I said.

Oh, fuck, said Sando. Everyone’s a chicken. That’s why we do this silly shit.

You reckon?

Yeah, to face it down, mate. To feel it, eat it. And shit it out with a big hallelujah.

He laughed. And I laughed because he did, to hide my fear.

Related Characters: Bruce (speaker), Sando (speaker), Loonie , Eva
Page Number: 90
Explanation and Analysis:

I shat meself, I said. I took the worst floggin. I freaked.

But he did the deed, said Sando. Made himself a little bit of history.

It took me a moment to absorb what he’d said. For if Sando was the first to have ridden Old Smoky, then I was surely the youngest. I could see Loonie thinking it through right there in front of me. He flapped the soggy hems of his jeans. The gesture was nonchalant, but I knew him better than that.

Your time’ll come, said Sando.

Related Characters: Bruce (speaker), Sando (speaker), Loonie
Page Number: 100-101
Explanation and Analysis:
Pages 118-161 Quotes

Loonie and Sando planned new assaults on the Nautilus using shorter boards – two only – shaped for the purpose. We never broached the subject of whether I’d accompany them. God knows, I should have been relieved, but I was inconsolable. I knew any reasonable person would have done what I did out there that day. Which was exactly the problem: I was, after all, ordinary.

Related Characters: Bruce (speaker), Loonie , Sando
Page Number: 149
Explanation and Analysis:

And he’s takin you to Java, I said

Who told you that?

Eva, I said with a hot flash of satisfaction.

He grunted and rolled himself a fag and I realized we were no longer friends. At the intersection, where the pub loomed over the servo across the road, we each veered in our own direction without even saying goodbye. Neither of us could have known that we’d never meet again.

Related Characters: Bruce (speaker), Loonie (speaker), Sando, Eva
Page Number: 159
Explanation and Analysis:
Pages 161-202 Quotes

No, Eva was not ordinary. And neither was the form of consolation she preferred. Given my time over I would not do it all again. People talk such a storm of crap about the things they’ve done, had done to them. The deluded bullshit I’ve endured in circled chairs on lino floors. She had no business doing what she did, but I’m through hating and blaming. People are fools, not monsters.

Related Characters: Bruce (speaker), Eva
Page Number: 172-173
Explanation and Analysis:

I understand you, Pikelet. And I understand Sando. But he’s never had anything precious taken away.

Eva —

But you, she said taking my hand. You’re different. I can see it in your face. You’ve got this look. Like you’re expecting to lose something – everything – every moment.

Related Characters: Bruce (speaker), Eva (speaker)
Page Number: 189
Explanation and Analysis:

Man, what a disappointment he turned out to be.

I spose.

Mate, I thought he was the real deal, y’know? The man not-ordinary.

Maybe ordinary’s not so bad, I offered.

Related Characters: Bruce (speaker), Sando (speaker), Loonie
Page Number: 200
Explanation and Analysis:
Pages 203-218 Quotes

There are nights like last night when you’re always going to be too late, where you’re just holding people’s hands. I tried not to take it personally but it set me back, that call-out to the burbs. Just a rush of wind from the past, like a window momentarily slid aside. I know the difference between teenage suicide and a fatal abundance of confidence. I know what a boy looks like when he’s strangled himself for fun.

I blow the didj until it hurts, until my lips are numb, until some old lady across the way gives me the finger.

Related Characters: Bruce (speaker)
Related Symbols: Breath
Page Number: 216
Explanation and Analysis:

They probably don’t understand this, but it’s important for me to show them that their father is a man who dances – who saves lives and carries the wounded, yes, but who also does something completely pointless and beautiful, and in this at least he should need no explanation.

Related Characters: Bruce (speaker)
Page Number: 218
Explanation and Analysis: