Marcello Solara Character Analysis

I said no because if my father found out that I had gone in that car, even though he was a good and loving man, even though he loved me very much, he would have beat me to death, while at the same time my little brothers, Peppe and Gianni, young as they were, would feel obliged, now and in the future, to try to kill the Solara brothers. There were no written rules, everyone knew that was how it was.

[Rino] had always seemed to her only generously impetuous, sometimes aggressive, but not a braggart. Now, though, he posed as what he was not. He felt he was close to wealth. A boss. Someone who could give the neighborhood the first sign of the good fortune the new year would bring by setting off a lot of fireworks, more than the Solara brothers, who had become in his eyes the model of the young man to emulate and indeed to surpass, people whom he envied and considered enemies to be beaten, so that he could assume their role.

[Lila] was staring at the shadow of her brother—the most active, the most arrogant, shouting the loudest, bloodiest insults in the direction of the Solaras' terrace—with repulsion. It seemed that she, she who in general feared nothing, was afraid. […] We were holding on to each other to get warm, while they rushed to grab cylinders with fat fuses, astonished by Stefano's infinite reserves, admiring of his generosity, disturbed by how much money could be transformed into fiery trails, sparks, explosions, smoke for the pure satisfaction of winning.

“What would it cost you to let him see them?” I asked, confused.

She shook her head energetically. “I don’t even want him to touch them.”

What did she have in mind? She had to know that she was setting in motion an earthquake worse than when she threw the ink-soaked bits of paper. And yet it might be that she wasn't aiming at anything precise. She was like that, she threw things off balance just to see if she could put them back in some other way.

Punctually, three days later, he went to the store and bought the shoes, even though they were tight. The two Cerullos with much hesitation asked for twenty-five thousand lire, but were ready to go down to ten thousand. He didn't bat an eye and put down another twenty thousand in exchange for Lila's drawings, which—he said—he liked, he wanted to frame them.

I didn't understand. The Solaras’ behavior seemed […] consistent with the world that we had known since we were children. What, instead, did [Lila] and Stefano have in mind, where did they think they were living? […] They weren't reacting to the insults, even to that truly intolerable insult that the Solaras were making. […] Was this her latest invention? Did she want to leave the neighborhood by staying in the neighborhood? Did she want to drag us out of ourselves, tear off the old skin and put on a new one, suitable for what she was inventing?

Marcello sat down, loosened his tie, crossed his legs.

The unpredictable revealed itself only at that point. I saw Lila lose her color, become as pale as when she was a child, whiter than her wedding dress, and her eyes had that sudden contraction that turned them into cracks. […] She was looking at the shoes of Marcello Solara.

[…] Marcello had on his feet the shoes bought earlier by Stefano, her husband. It was the pair she had made with Rino, making and unmaking them for months, ruining her hands.

I said no because if my father found out that I had gone in that car, even though he was a good and loving man, even though he loved me very much, he would have beat me to death, while at the same time my little brothers, Peppe and Gianni, young as they were, would feel obliged, now and in the future, to try to kill the Solara brothers. There were no written rules, everyone knew that was how it was.

[Rino] had always seemed to her only generously impetuous, sometimes aggressive, but not a braggart. Now, though, he posed as what he was not. He felt he was close to wealth. A boss. Someone who could give the neighborhood the first sign of the good fortune the new year would bring by setting off a lot of fireworks, more than the Solara brothers, who had become in his eyes the model of the young man to emulate and indeed to surpass, people whom he envied and considered enemies to be beaten, so that he could assume their role.

[Lila] was staring at the shadow of her brother—the most active, the most arrogant, shouting the loudest, bloodiest insults in the direction of the Solaras' terrace—with repulsion. It seemed that she, she who in general feared nothing, was afraid. […] We were holding on to each other to get warm, while they rushed to grab cylinders with fat fuses, astonished by Stefano's infinite reserves, admiring of his generosity, disturbed by how much money could be transformed into fiery trails, sparks, explosions, smoke for the pure satisfaction of winning.

“What would it cost you to let him see them?” I asked, confused.

She shook her head energetically. “I don’t even want him to touch them.”

What did she have in mind? She had to know that she was setting in motion an earthquake worse than when she threw the ink-soaked bits of paper. And yet it might be that she wasn't aiming at anything precise. She was like that, she threw things off balance just to see if she could put them back in some other way.

Punctually, three days later, he went to the store and bought the shoes, even though they were tight. The two Cerullos with much hesitation asked for twenty-five thousand lire, but were ready to go down to ten thousand. He didn't bat an eye and put down another twenty thousand in exchange for Lila's drawings, which—he said—he liked, he wanted to frame them.

I didn't understand. The Solaras’ behavior seemed […] consistent with the world that we had known since we were children. What, instead, did [Lila] and Stefano have in mind, where did they think they were living? […] They weren't reacting to the insults, even to that truly intolerable insult that the Solaras were making. […] Was this her latest invention? Did she want to leave the neighborhood by staying in the neighborhood? Did she want to drag us out of ourselves, tear off the old skin and put on a new one, suitable for what she was inventing?

Marcello sat down, loosened his tie, crossed his legs.

The unpredictable revealed itself only at that point. I saw Lila lose her color, become as pale as when she was a child, whiter than her wedding dress, and her eyes had that sudden contraction that turned them into cracks. […] She was looking at the shoes of Marcello Solara.

[…] Marcello had on his feet the shoes bought earlier by Stefano, her husband. It was the pair she had made with Rino, making and unmaking them for months, ruining her hands.