This Tender Land portrays storytelling and music as methods of inspiring hope during desperate times. The novel begins with Odie characterizing himself as a storyteller and speaking retrospectively to his great-grandchildren about the events of his life. From the start, then, the novel’s structure as a frame story establishes the importance of storytelling to connect with and convey lessons to others, and also to add hope, meaning, and order to one’s life during times of chaos, disorder, and uncertainty.
Throughout the novel, Odie frequently relies on stories in the form of lies to get him out of punishments and danger. He also uses his gift to make up stories that give hope to his traveling companions, Albert, Mose, and Emmy. Odie’s ongoing tale of the four Vagabonds who battle against the Black Witch (an alter ego he creates for their nemesis, the cruel Mrs. Brickman), for instance, parallels the group’s real-world trials while adding a good amount of fantastical flair. Through this story, Odie gives his friends hope and confidence in their eventual triumph. Odie also inspires hope through the medium of music, playing his harmonica around others who are down on their luck to reinvigorate their spirits. His music cannot, of course, fix these people’s problems, but it does offer them an opportunity to envision a different, kinder world. Named Odysseus after Homer’s epic tale, Odie’s life is steeped in stories and songs, each of which contains “a seed of truth.” In this way, then, the novel points to the transformative power of storytelling and of art in general. Not only can stories bring people together, but they can and also inject hope, meaning, and order into life during times of chaos, disorder, and uncertainty. Moreover, while Odie’s and other characters’ stories (notably, Sister Eve’s staged “healings”) might sometimes blur the line between fact and fiction, the novel overwhelmingly suggests that these “lies” are a force of good due to their power to give people real, genuine hope for a better future.
Storytelling, Music, and Hope ThemeTracker
Storytelling, Music, and Hope Quotes in This Tender Land
The Windigo, he said, was a terrible giant, a monster that had once been a man but some dark magic had turned him into a cannibal beast with a hunger for human flesh, a hunger that could never be satisfied.
[…]
At length, Mose tapped my shoulder and took my hand. You tell stories but they’re real. There are monsters and they eat the hearts of children.
Albert stopped and turned to me, his face sad and serious. “Listen, Odie, things have happened to you, bad things, and I know I should have done a better job of protecting you. But I don’t want you to turn out like…like…”
“Like Clyde Brickman? Like DiMarco? You think that’s who I am? The hell with you.”
I walked away from his as fast as I could. Not only because I was angry but because I didn’t want him to see how much he’d hurt me.
“Everything’s hard work, Buck. You don’t wrap your thinking around that, life’ll kill you for sure. Me, I love this land, the work. Never was a churchgoer. God all penned up under a roof? I don’t think so. Ask me, God’s right here. In the dirt, the rain, the sky, the trees, the apples, the stars in the cottonwoods. In you and me, too. It’s all connected and it’s all God. Sure this is hard work, but it’s good work because it’s a part of what connects us to this land, Buck. This beautiful, tender land.”
“This land spawned a tornado that killed Emmy’s mother. You call that tender?”
“Tragic, that’s what I call it. But don’t blame the land. […] The land is what it is. Life is what it is. God is what God is. You and me, we’re what we are. None of it’s perfect. Or hell, maybe it all is and we’re just not wise enough to see it.”
As the piano player laid down the first few bars, I moved out into the dark of the meadow, sat down, pulled out my mouth organ, and played right along with them. Oh, it was sweet, like being fed after a long hunger, but it filled me in a different way than the free soup and bread earlier that night had. Into every note, I blew out that longing deep inside me. The song was about love, but for me it was about wanting something else. Maybe home. Maybe safety. Maybe certainty. It felt good, in the way I’d sometimes imagined what prayer might feel like if you really believed and poured your heart into it.
She laughed and put her arm around my shoulder. “Only God is perfect, Odie. To the rest of us, he gave all kinds of wrinkles and cracks.” She lifted her hair from her cheek, showing me the long scar there. “If we were perfect, the light he shines on us would just bounce right off. But the wrinkles, they catch the light. And the cracks, that’s how the light gets inside us. When I pray, Odie, I never pray for perfection. I pray for forgiveness, because it’s the one prayer I know will always be answered.”
“Sometimes, Odie,” Sister Eve went on, “in order for people to reach up and embrace their most profound belief in God, they need to stand on the shoulders of others. That’s what Jed and Mickey and Lois and Gooch do. Their experiences are the shoulders for others to climb on. And, Odie, it works. People come forward and I take their hands and I can feel how powerful their faith is, and that’s what heals them. Not me. Their faith in a great, divine power.”
The Vagabonds told the woman they were tired of wandering and asked if they could stay with her, but she looked into them, all the way down to their souls, and knew the true reason for their wandering. They were in search of their hearts’ desires, which were different for each of them, and she knew they would never find what they were looking for if they stayed in the safety of her forest.
Instead, she sent them on an odyssey.
“This kid,” I began, “was just like us. He loved the sun on his face, the dew on the morning grass, the song of birds in the trees. He loved to skip stones on the river. At night he liked to lie on the sand and stare up at the stars and dream. Just like us. He had people who loved him. But one day he went away and never came back, and they were heartbroken. They vowed not to speak his name again until the day he returned. That day never came. But every night his mother stood on the riverbank and called his name, and if you listen close at night, you can still hear the wind over the river whisper that name so he will never be forgotten.”
We played some tunes together. My repertoire was broader than his, but we knew a few of the same melodies, and as we played, folks came away from their own little places and gathered around the fire. And a kind of miracle happened, or what I thought of then as a miracle. One man brought out a sack of ginger cookies and passed them around to children who were there. Someone else offered up a jug of cider. Apple slices appeared and some cheese and bread. And while Captain Gray and I played, and a few of the folks who knew the tunes sang along, the people in the gathering, none of whom had much, found a way to feed one another.
“But when I heard the music from your harmonica, it made me want to sing. When I looked out the window, I saw a change in my people. I saw life returning to their faces. I saw fire in their eyes again. I think if you keep playing and I keep singing, we might save them.”
And that’s what they did. He played his magic harmonica and she sang in her beautiful voice, which came from her deep love for her people, and slowly everyone in the castle, everyone who’d lost their souls, woke up, and new souls grew in them and they were whole and happy again.
“What I’m going to say may sound impossible. But I’ve seen impossible things before, so here goes. Those fits she suffers? I think they may be her attempt at wrestling with what she sees when she looks into the future. I think she might be trying to alter what she sees there.”
That knocked me over. “She changes the future?”
“Maybe just tweaks it a little. Like a good storyteller rewriting the last sentence.”
In every good tale there is a seed of truth, and from that seed a lovely story grows. Some of what I’ve told you is true and some…well, let’s just call it the bloom on the rosebush. […] Our eyes perceive so dimly, and our brains are so easily confused. Far better, I believe, to be like children and open ourselves to every beautiful possibility, for there is nothing our hearts can imagine that is not so.