Trauma Theme Analysis

“But Jude,” he said, quietly, “you’re in pain. We have to get you help.”

“Nothing will help,” he said, and was silent for a few moments. “I just have to wait.” His voice was whispery and faint, unfamiliar.

“What can I do?” Willem asked.

“Nothing,” Jude said. They were quiet. “But Willem—will you stay with me for a little while?”

“Of course,” he said.

Perhaps because of this, he felt he always knew who and what he was, which is why, as he moved farther and then further away from the ranch and his childhood, he felt very little pressure to change or reinvent himself. He was a guest at his college, a guest in graduate school, and now he was a guest in New York, a guest in the lives of the beautiful and the rich. He would never try to pretend he was born to such things, because he knew he wasn’t; he was a ranch hand’s son from western Wyoming, and his leaving didn’t mean that everything he had once been was erased, written over by time and experiences and the proximity to money.

But what was happiness but an extravagance, an impossible state to maintain, partly because it was so difficult to articulate? He couldn’t remember being a child and being able to define happiness: there was only misery, or fear, and the absence of misery or fear, and the latter state was all he had needed or wanted.

But the odd thing was this: by his story morphing into one about a car accident, he was being given an opportunity for reinvention; all he had to do was claim it. But he never could. He could never call it an accident, because it wasn’t. And so was it pride or stupidity to not take the escape route he’d been offered? He didn’t know.

“If I were a different kind of person, I might say that this whole incident is a metaphor for life in general: things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.”

Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities.

Every day the improbability of the situation seemed to grow larger and more vivid in his mind; every time he glimpsed the reflection of his ugly zombie’s hobble in the side of a building, he would feel sickened: Who, really, would ever want this? The idea that he could become someone else’s seemed increasingly ludicrous, and if Harold saw him just once more, how could he too not come to the same conclusion?

“But I’m not even in a wheelchair,” he’d said, dismayed.

“But Jude,” Malcolm had begun, and then stopped. He knew what Malcolm wanted to say: But you have been. And you will be again. But he didn’t.

“These are standard ADA guidelines,” he said instead.

“Mal,” he’d said, chagrined by how upset he was. “I understand. But I don’t want this to be some cripple’s apartment.”

He could be more like Malcolm, he thinks; he could ask his friends for help, he could be vulnerable around them. He has been before, after all; it just hasn’t been by choice. But they have always been kind to him, they have never tried to make him feel self-conscious—shouldn’t that teach him something? Maybe, for instance, he will ask Willem if he could help him with his back: if Willem is disgusted by his appearance, he’ll never say anything.

“You’ll find your own way to discuss what happened to you,” he remembers Ana saying. “You’ll have to, if you ever want to be close to anyone.” He wishes, as he often does, that he had let her […] teach him how to do it. His silence had begun as something protective, but over the years it has transformed into something […] that manages him rather than the other way around. […] He imagines he is floating in a small bubble of water, encased on all sides by walls and ceilings and floors of ice, all many feet thick. He knows there is a way out, but he is unequipped; he has no tools to begin his work […]. He had thought that by not saying who he was, he was making himself more palatable, less strange. But now, what he doesn’t say makes him stranger, an object of pity and even suspicion.

When he has clothes on, he is one person, but without them, he is revealed as he really is, the years of rot manifested on his skin, his own flesh advertising his past, its depravities and corruptions.

But now he knows for certain how true the axiom is, because he himself—his very life—has proven it. The person I was will always be the person I am, he realizes. The context may have changed […]. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated. And in that microsecond that he finds himself suspended in the air, […] he knows that x will always equal x, no matter what he does, or how many years he moves away from the monastery, from Brother Luke, no matter how much he earns or how hard he tries to forget. It is the last thing he thinks as his shoulder cracks down upon the concrete, and the world, for an instant, jerks blessedly away from beneath him: x = x, he thinks. x = x, x = x.

I had meant what I told him that weekend: whatever he had done didn’t matter to me. I knew him. Who he had become was the person who mattered to me. I told him that who he was before made no difference to me. But of course, this was naïve: I adopted the person he was, but along with that came the person he had been, and I didn’t know who that person was. Later, I would regret that I hadn’t made it clearer to him that that person, whoever he was, was someone I wanted as well. Later, I would wonder, incessantly, what it would have been like for him if I had found him twenty years before I did, when he was a baby. Or if not twenty, then ten, or even five. Who would he have been, and who would I have been?

He was careful never to say his name aloud, but sometimes he thought it, and no matter how old he got, no matter how many years had passed, there would appear Luke’s face, smiling, conjured in an instant. He thought of Luke when the two of them were falling in love, when he was being seduced and had been too much of a child, too naïve, too lonely and desperate for affection to know it. He was running to the greenhouse, he was opening the door, the heat and smell of flowers were surrounding him like a cape. It was the last time he had been so simply happy, the last time he had known such uncomplicated joy. “And here’s my beautiful boy!” Luke would cry. “Oh, Jude—I’m so happy to see you.”

“Willem’s not a health-care professional,” he remembered Andy saying. “He’s an actor.” And although both he and Jude had laughed at the time, he wasn’t sure Andy was wrong. Who was he to try to direct Jude’s mental health?

“Don’t trust me so much,” he wanted to say to Jude. But how could he? Wasn’t this what he had wanted from Jude, from this relationship? To be so indispensable to another person that that person couldn’t even comprehend his life without him? And now he had it, and the demands of the position terrified him. He had asked for responsibility without understanding completely how much damage he could do.

Eventually, he made some rules for himself. First, he would never refuse Willem, ever. If this was what Willem wanted, he could have it, and he would never turn him away. Willem had sacrificed so much to be with him, and had brought him such peace, that he was determined to try to thank him however he could. Second, he would try—as Brother Luke had once asked him—to show a little life, a little enthusiasm.

But there was the Jude he knew in the daylight, and even in the dusk and dawn, and then there was the Jude who possessed his friend for a few hours each night, and that Jude, he sometimes feared, was the real Jude: the one who haunted their apartment alone, the one whom he had watched draw the razor so slowly down his arm, his eyes wide with agony, the one whom he could never reach, no matter how many reassurances he made, no matter how many threats he levied. It sometimes seemed as if it was that Jude who truly directed their relationship, and when he was present, no one, not even Willem, could dispel him. And still, he remained stubborn: he would banish him, through the intensity and the force and the determination of his love.

“I’m not Hemming, Willem,” Jude hisses at him. “I’m not going to be the cripple you get to save for the one you couldn’t.”

On these days, he succumbed to a sort of enchantment, a state in which his life seemed both unimprovable and, paradoxically, perfectly fixable: Of course Jude wouldn’t get worse. Of course he could be repaired. Of course Willem would be the person to repair him. Of course this was possible; of course this was probable. Days like this seemed to have no nights, and if there were no nights, there was no cutting, there was no sadness, there was nothing to dismay.

He hadn’t needed to catalog his life after all—Willem had been doing it for him all along. But why had Willem cared about him so much? Why had he wanted to spend so much time around him? He had never been able to understand this, and now he never will. I sometimes think I care more about your being alive than you do, he remembers Willem saying, and he takes a long, shuddering breath.

He hopes for infection, something swift and fatal, something that will kill him and leave him blameless. But there is no infection. Since his amputations, there have been no wounds. He is still in pain, but no more—less, actually—than he had been in before. He is cured, or at least as cured as he will ever be.

Finally he lifts his head and sees Harold staring at him, sees that Harold is actually crying, silently, looking and looking at him. “Harold,” he says, although Andy is still talking, “release me. Release me from my promise to you. Don’t make me do this anymore. Don’t make me go on.”

“Jude,” Harold says to him, quietly. “My poor Jude. My poor sweetheart.” And with that, he starts to cry, for no one has ever called him sweetheart, not since Brother Luke. Sometimes Willem would try[..] and he would make him stop; the endearment was filthy to him […]. “My sweetheart,” Harold says again, and he wants him to stop; he wants him to never stop. “My baby.” And he cries and cries, […] for the shame and joy of finally getting to be a child, with all of a child’s whims and wants and insecurities, for the privilege of behaving badly and being forgiven, for the luxury of tendernesses, of fondnesses, of being served a meal and being made to eat it, for the ability, at last, at last, of believing a parent’s reassurances, of believing that to someone he is special despite all his mistakes and hatefulness, because of all his mistakes and hatefulness.

“Jude,” says Dr. Loehmann. “You’ve come back.”

He takes a breath. “Yes,” he says. “I’ve decided to stay.”

When Jacob was a baby, I would find myself feeling more assured with each month he lived, as if the longer he stayed in this world, the more deeply he would become anchored to it[…]. It was a preposterous notion, of course, and it was proven wrong in the most horrible way. But I couldn’t stop thinking this: that life tethered life. And yet at some point in his life—after Caleb, if I had to date it—I had the sense that he was in a hot-air balloon, one that was staked to the earth with a long twisted rope, but each year the balloon strained and strained against its cords, […]. And down below, there was a knot of us trying to pull the balloon back to the ground, back to safety. And so I was always frightened for him, and I was always frightened of him, as well.

“It’s such a beautiful house,” I said, as I always did, and as I always did, I hoped he was hearing me say that I was proud of him: for the house he built, and for the life he had built within it.