Amy Pollock Character Analysis

As the months passed, the letters from Amy became the most important thing in Julie’s life and the house in San Francisco grew more real than the house in Barrow. She knew each flower on the hill where Amy’s house stood, each brick in the wall around the garden, and each tall blowing tree. She also knew the curls in the wrought-iron gate, and how many steps led up to the big front door; she could almost see the black-and-white tile on the floor of the foyer. If she closed her eyes she could imagine the arched doorway, the Persian rug on the living-room floor, the yellow chairs and the huge window that looked over the bay. Radios, lamps, coffee tables—all these she could see. And if she shut her eyes tight, she could feel Amy’s hand in her hand and hear Amy’s big feet tap the sidewalk. The second floor was always fun to dream about. At the top of the winding stairs four doors opened upon rooms lit with sunshine. And one was the pink room, the one that would be hers when she got to San Francisco.

“Julie is gone,” she said. “I am Miyax now.”

To amuse herself she thought of the hill where the white house stood in San Francisco. When it seemed almost real enough to touch, and very beautiful, it vanished abruptly; for the tundra was even more beautiful—a glistening gold, and its shadows were purple and blue. Lemon-yellow clouds sailed a green sky and every wind-tossed sedge was a silver thread.

When she thought of San Francisco, she thought about the airplane and the fire and blood and the flashes and death. When she took out her needle and sewed, she thought about peace and Amaroq.

As the months passed, the letters from Amy became the most important thing in Julie’s life and the house in San Francisco grew more real than the house in Barrow. She knew each flower on the hill where Amy’s house stood, each brick in the wall around the garden, and each tall blowing tree. She also knew the curls in the wrought-iron gate, and how many steps led up to the big front door; she could almost see the black-and-white tile on the floor of the foyer. If she closed her eyes she could imagine the arched doorway, the Persian rug on the living-room floor, the yellow chairs and the huge window that looked over the bay. Radios, lamps, coffee tables—all these she could see. And if she shut her eyes tight, she could feel Amy’s hand in her hand and hear Amy’s big feet tap the sidewalk. The second floor was always fun to dream about. At the top of the winding stairs four doors opened upon rooms lit with sunshine. And one was the pink room, the one that would be hers when she got to San Francisco.

“Julie is gone,” she said. “I am Miyax now.”

To amuse herself she thought of the hill where the white house stood in San Francisco. When it seemed almost real enough to touch, and very beautiful, it vanished abruptly; for the tundra was even more beautiful—a glistening gold, and its shadows were purple and blue. Lemon-yellow clouds sailed a green sky and every wind-tossed sedge was a silver thread.

When she thought of San Francisco, she thought about the airplane and the fire and blood and the flashes and death. When she took out her needle and sewed, she thought about peace and Amaroq.