Daniel Character Analysis

Here she was, watching wolves—she, Miyax, daughter of Kapugen, adopted child of Martha, citizen of the United States, pupil at the Bureau of Indian Affairs School in Barrow, Alaska, and thirteen-year-old wife of the boy Daniel. She shivered at the thought of Daniel, for it was he who had driven her to this fate. She had run away from him exactly seven sleeps ago, and because of this she had one more title by gussak standards—the child divorcée.

“Change your ways when fear seizes,” he had said, “for it usually means you are doing something wrong.”

As the months passed, the letters from Amy became the most important thing in Julie’s life and the house in San Francisco grew more real than the house in Barrow. She knew each flower on the hill where Amy’s house stood, each brick in the wall around the garden, and each tall blowing tree. She also knew the curls in the wrought-iron gate, and how many steps led up to the big front door; she could almost see the black-and-white tile on the floor of the foyer. If she closed her eyes she could imagine the arched doorway, the Persian rug on the living-room floor, the yellow chairs and the huge window that looked over the bay. Radios, lamps, coffee tables—all these she could see. And if she shut her eyes tight, she could feel Amy’s hand in her hand and hear Amy’s big feet tap the sidewalk. The second floor was always fun to dream about. At the top of the winding stairs four doors opened upon rooms lit with sunshine. And one was the pink room, the one that would be hers when she got to San Francisco.

“Julie is gone,” she said. “I am Miyax now.”

And she liked the simplicity of that world. It was easy to understand. Out here she understood how she fitted into the scheme of the moon and stars and the constant rise and fall of life on the earth. Even the snow was part of her, she melted it and drank it.

When she thought of San Francisco, she thought about the airplane and the fire and blood and the flashes and death. When she took out her needle and sewed, she thought about peace and Amaroq.

Julie pointed her boots toward Kapugen.

Here she was, watching wolves—she, Miyax, daughter of Kapugen, adopted child of Martha, citizen of the United States, pupil at the Bureau of Indian Affairs School in Barrow, Alaska, and thirteen-year-old wife of the boy Daniel. She shivered at the thought of Daniel, for it was he who had driven her to this fate. She had run away from him exactly seven sleeps ago, and because of this she had one more title by gussak standards—the child divorcée.

“Change your ways when fear seizes,” he had said, “for it usually means you are doing something wrong.”

As the months passed, the letters from Amy became the most important thing in Julie’s life and the house in San Francisco grew more real than the house in Barrow. She knew each flower on the hill where Amy’s house stood, each brick in the wall around the garden, and each tall blowing tree. She also knew the curls in the wrought-iron gate, and how many steps led up to the big front door; she could almost see the black-and-white tile on the floor of the foyer. If she closed her eyes she could imagine the arched doorway, the Persian rug on the living-room floor, the yellow chairs and the huge window that looked over the bay. Radios, lamps, coffee tables—all these she could see. And if she shut her eyes tight, she could feel Amy’s hand in her hand and hear Amy’s big feet tap the sidewalk. The second floor was always fun to dream about. At the top of the winding stairs four doors opened upon rooms lit with sunshine. And one was the pink room, the one that would be hers when she got to San Francisco.

“Julie is gone,” she said. “I am Miyax now.”

And she liked the simplicity of that world. It was easy to understand. Out here she understood how she fitted into the scheme of the moon and stars and the constant rise and fall of life on the earth. Even the snow was part of her, she melted it and drank it.

When she thought of San Francisco, she thought about the airplane and the fire and blood and the flashes and death. When she took out her needle and sewed, she thought about peace and Amaroq.

Julie pointed her boots toward Kapugen.