Julie of the Wolves takes place in the barren and unforgiving Alaskan wilderness, where a 13-year-old Inuk girl named Miyax Kapugen is alone, starving, and lost. She’s fled to the Arctic tundra after her husband, Daniel, tried to rape her. The novel follows Miyax as she struggles to survive treacherous conditions and find her way back to civilization, and as such, the book presents a broader conflict between humans and nature. The book specifically highlights how Miyax’s struggle for survival is tied to her indigenous culture, as she draws on her Inuit background to guide her as she traverses the tundra. Many of her ideas about nature and survival come from her father, Kapugen, who taught her the importance of understanding and establishing a relationship with nature that is anchored in respect and equality. These are values that allow her to befriend and understand the pack of wolves that aids in her survival. They also make her wonder whether the natural world is, in fact, preferable to society. Although people often stereotype wolves as vicious and uncaring, the animals Miyax befriends in the tundra treat her with far more respect than her husband, who attacked and dehumanized her. For this reason, Miyax repeatedly expresses her desire to remain in the incredibly dangerous Arctic wilderness rather than return to her life in town.
The novel also juxtaposes the Inuits’ respect for nature with the disrespect for and exploitation of nature that Miyax associates with gussak (white) culture. For example, before Miyax feasts on a caribou that the wolves have killed and allowed her to share, she “pa[ys] tribute to the spirit of the caribou by lifting her arms to the sun,” acknowledging and respecting the animal for providing her with necessary sustenance. In contrast, the gussak hunters in the novel show no respect for nature and simply kill animals for sport. To them, the natural world is theirs to use, control, and conquer as they please. Miyax’s culture considers this attitude immoral, because “it encourage[s] killing for money, rather than need.” Kapugen’s criticism expands on this point, arguing that such hunting disrespects the natural order of the world: fewer wolves results in too many caribou grazing, which means the lemmings will starve and die out, and so on. In its portrayal of human brutality (Daniel’s violence toward Miyax and the hunters’ senseless killing), Julie of the Wolves shows that people can be just as harsh and unfeeling as nature. And through the Inuit wisdom espoused in the book and Miyax’s deep communion with animals, the novel suggests that nature is worthy of respect and reverence. As such, any conflict between humans and the natural world should be solved by learning to coexist peacefully in nature rather than conquering it.
Humans vs. Nature ThemeTracker
Humans vs. Nature Quotes in Julie of the Wolves
Not a tree grew anywhere to break the monotony of the gold-green plain, for the soils of the tundra are permanently frozen. Only moss, grass, lichens, and a few hardy flowers take root in the thin upper layer that thaws briefly in summer. Nor do many species of animals live in this rigorous land, but those creatures that do dwell here exist in bountiful numbers.
Here she was, watching wolves—she, Miyax, daughter of Kapugen, adopted child of Martha, citizen of the United States, pupil at the Bureau of Indian Affairs School in Barrow, Alaska, and thirteen-year-old wife of the boy Daniel. She shivered at the thought of Daniel, for it was he who had driven her to this fate. She had run away from him exactly seven sleeps ago, and because of this she had one more title by gussak standards—the child divorcée.
With the passing of the lemmings, however, the grasses had grown high again and the hour of the caribou was upon the land. Healthy fat caribou cows gave birth to many calves. The caribou population increased, and this in turn increased the number of wolves who prey on the caribou.
Amaroq got to his feet, and as he slowly arose he seemed to fill the sky and blot out the sun. He was enormous. He could swallow her without even chewing. “But he won’t,” she reminded herself. “Wolves do not eat people. That’s gussak talk. Kapugen said wolves are gentle brothers.”
He must indeed be their leader for he was clearly the wealthy wolf; that is, wealthy as she had known the meaning of the word on Nunivak Island. There the old Eskimo hunters she had known in her childhood thought the riches of life were intelligence, fearlessness, and love. A man with these gifts was rich and was a great spirit who was admired in the same way that the gussaks admired a man with money and goods.
The signal went off. It sped through his body and triggered emotions of love. Amaroq’s ears flattened and his tail wagged in friendship. He could not react in any other way to the chin pat, for the roots of this signal lay deep in wolf history. It was inherited from generations and generations of leaders before him. As his eyes softened, the sweet odor of ambrosia arose from the gland on the top of his tail and she was drenched lightly in wolf scent. Miyax was one of the pack.
“Change your ways when fear seizes,” he had said, “for it usually means you are doing something wrong.”
Miyax at last was sure of what had happened to Jello. He was the low man on the totem pole, the bottom of the ladder. She recalled the day Amaroq had put him down and forced him to surrender, the many times Silver had made him go back and sit with the pups, and the times that Kapu had ignored his calls to come home to the den. He was indeed a lowly wolf—a poor spirit, with fears and without friends.
Later, Kapugen’s Aunt Martha told her that he had lost his mind the day her mother died. He had grabbed Miyax up and walked out of his fine house in Mekoryuk. He had left his important job as manager of the reindeer herd, and he had left all his possessions. “He walked you all the way to seal camp,” Martha told her. “And he never did anything good after that.”
To Miyax the years at seal camp were infinitely good. The scenes and events were beautiful color spots in her memory.
“Wolves are brotherly,” he said. “They love each other, and if you learn to speak to them, they will love you too.”
“Yes, you are Eskimo,” he had said. “And never forget it. We live as no other people can, for we truly understand the earth.”
Gradually Julie pushed Kapugen out of her heart and accepted the people of Mekoryuk. The many years in seal camp alone with Kapugen had been dear and wonderful, but she realized now that she had lived a strange life. The girls her age could speak and write English and they knew the names of presidents, astronauts, and radio and movie personalities who lived below the top of the world. Maybe the Europeans once thought the earth was flat, but the Eskimos always knew it was round. One only needed to look at the earth’s relatives, the sun and the moon, to know that.
“What a lovely i’noGo tied!” Julie said politely. “A what?” asked Judith. Julie repeated the Eskimo word for the house of the spirits. Judith snickered. “That’s a charm bracelet,” she said. Rose giggled and both laughed derisively. Julie felt the blood rush to her face as she met, for the first but not the last time, the new attitudes of the Americanized Eskimos. She had much to learn besides reading. That night she threw her i’noGo tied away.
As the months passed, the letters from Amy became the most important thing in Julie’s life and the house in San Francisco grew more real than the house in Barrow. She knew each flower on the hill where Amy’s house stood, each brick in the wall around the garden, and each tall blowing tree. She also knew the curls in the wrought-iron gate, and how many steps led up to the big front door; she could almost see the black-and-white tile on the floor of the foyer. If she closed her eyes she could imagine the arched doorway, the Persian rug on the living-room floor, the yellow chairs and the huge window that looked over the bay. Radios, lamps, coffee tables—all these she could see. And if she shut her eyes tight, she could feel Amy’s hand in her hand and hear Amy’s big feet tap the sidewalk. The second floor was always fun to dream about. At the top of the winding stairs four doors opened upon rooms lit with sunshine. And one was the pink room, the one that would be hers when she got to San Francisco.
“Julie is gone,” she said. “I am Miyax now.”
To amuse herself she thought of the hill where the white house stood in San Francisco. When it seemed almost real enough to touch, and very beautiful, it vanished abruptly; for the tundra was even more beautiful—a glistening gold, and its shadows were purple and blue. Lemon-yellow clouds sailed a green sky and every wind-tossed sedge was a silver thread.
And she liked the simplicity of that world. It was easy to understand. Out here she understood how she fitted into the scheme of the moon and stars and the constant rise and fall of life on the earth. Even the snow was part of her, she melted it and drank it.
The gussaks were paid to shoot them. A man who brought in the left ear of a wolf to the warden was rewarded with a bounty of fifty dollars. The bounty was evil to the old men at seal camp, for it encouraged killing for money, rather than need. Kapugen considered the bounty the gussaks’ way of deciding that the amaroqs could not live on this earth anymore. “And no men have that right,” he would say. “When the wolves are gone there will be too many caribou grazing the grass and the lemmings will starve. Without the lemmings the foxes and birds and weasels will die. Their passing will end smaller lives upon which even man depends, whether he knows it or not, and the top of the world will pass into silence.”
When she thought of San Francisco, she thought about the airplane and the fire and blood and the flashes and death. When she took out her needle and sewed, she thought about peace and Amaroq.
She would be very useful to him and they would live as they were meant to live—with the cold and the birds and the beasts.
“Come in. I’ve never seen such a bird.”
Kapugen, after all, was dead to her.
Julie pointed her boots toward Kapugen.