The Rainbow

by

D. H. Lawrence

The Rainbow: Chapter 11: First Love Summary & Analysis

Summary
Analysis
As she matures into a young adult, Ursula grows increasingly anxious about where her life will lead. She wonders why she must grow up and face the heavy responsibility of creating a meaningful life out of nothing. Ursula’s religious beliefs, which once provided her comfort, now seem like distant myths. The miracles she once took for granted, like walking on water and the Feeding of the Five Thousand, no longer feel real to her, as they have no place in her present-day life. She concludes that what cannot be experienced in everyday life is not true for her anymore.
As Ursula matures into young adulthood, her anxieties about life's purpose reflect her growing awareness of the heavy responsibility she faces. The loss of her childhood faith in miracles represents a shift in her worldview. This rejection of the miraculous as untrue because it cannot be experienced in daily life shows Ursula's increasing pragmatism as she prepares to face the practical challenges of adulthood.
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Ursula starts to feel the sharp division between the weekday world of duties and the Sunday world of spiritual truth. The enigmatic world of religion that once captivated her has faded, and she now feels that the practical, everyday world has triumphed over the spiritual. As she steps further into adulthood, Ursula accepts that her body, soul, and actions must conform to the practical, weekday world. She believes that she must choose her deeds carefully because she is responsible not only to the world but also to herself.
As Ursula steps further into adulthood, she accepts that every part of her must adapt to the demands of the practical world. This realization reflects her struggle to reconcile her desire for spiritual fulfillment with the demands of everyday life, suggesting a tension between the need to conform and the desire to retain individual freedom.
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However, Ursula is conflicted. She questions how she can act in the world in order to become her true self. At the moment, she feels undefined and without a clear sense of direction. She turns to the words of her past religious visions, trying to give them practical meaning. She contemplates the biblical commandment about giving to the poor. She realizes she does not want to part with her treasured possessions or end up in poverty herself. The poor people she sees in town frighten her, and she feels sick at the thought of becoming one of them.
Despite accepting the necessity of conforming to the practical world, Ursula wrestles with how to act in a way that reflects her true self. Her attempt to bring religious teachings, such as giving to the poor, into practical terms highlights the difficulty of living by moral ideals. Ursula's reluctance to part with her possessions and her fear of poverty reveal her inner conflict between wanting to do what is right and the fear of suffering personal loss.
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Ursula feels miserable because she wants to do what is right but cannot bring herself to follow the teachings of the gospels. She tries to embrace humility by turning the other cheek when Theresa slaps her, but when Theresa hits her again, Ursula’s anger overwhelms her, and she nearly shakes her sister’s head off in a fit of rage. Afterward, she feels ashamed, recognizing that she cannot live up to the humble ideals of Christianity.
Ursula’s perceived failure to live up to Christian ideals of humility is further revealed when she struggles to “turn the other cheek” after being slapped by Theresa. The anger she feels in response shows how the teachings of the gospels fall short for her in practice, leading her to feel ashamed and conflicted about her inability to embody those values.
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Ursula’s life undergoes a significant shift when she meets Anton Skrebensky, the son of Baron Skrebensky, who comes to town in order to visit Tom Jr. The first encounter between Ursula and Anton happens unexpectedly after she hears voices in the kitchen one evening while she is studying. The voices, one of which belongs to Tom Jr., disrupt her concentration, so she leaves her room to see what is going on. She is drawn to the voice of Tom Jr.’s interlocutor, which has an unfamiliar tone, different from anyone she knows. The young man’s voice stirs something in her, making her feel both excited and apprehensive.
The arrival of Anton Skrebensky represents a significant shift in Ursula's life, marking the beginning of her emotional and sexual awakening. Anton's voice captivates her and his presence disrupts the sense of order in her life. This moment serves as the start of a new phase for Ursula, one where her internal struggles will increasingly intersect with her emerging desires for connection and increased intrigue regarding the world beyond her small town.
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Finally, Ursula enters the kitchen, and for a brief moment, everyone stops and looks at her. She feels awkward, unsure of how to carry herself. Anton, standing back a little, waits for her to approach, and when she meets his gaze, she feels a flash of nervous excitement. Anton has clear greyish eyes, and his composed, calm demeanor immediately captivates Ursula. When they shake hands, Anton’s apparent interest makes Ursula feel important, as if the world is opening up to her.
In this initial encounter, Ursula experiences a powerful attraction to Anton, which feels like a gateway to something greater. The focus on his calm demeanor and clear eyes reflects Anton's allure as someone stable and worldly, a stark contrast to the sheltered environment Ursula has known.
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As they begin to converse, Anton mentions that he is in the Engineers, part of the army, and Ursula’s curiosity grows. The idea of Anton being connected to the outside worlds thrills her, as she longs for a life different from the one that she is currently leading. Anton, who is five years older than Ursula, is worldly and confident, making him both intimidating and alluring to her. Their conversation flows easily, though there is an underlying tension between them, a mutual fascination that they are both trying to navigate. For Ursula, this encounter is unlike any other she has experienced, and she leaves the room feeling like something new has awakened within her.
Their conversation about Anton's role in the Engineers heightens Ursula’s fascination with him as a figure connected to the outside world. This excitement signals her yearning to break free from the limitations of her life and her perception that Anton could be her gateway to adventure. The age difference between them adds to his mystique. Ursula's response reveals her internal conflict—though Anton’s worldliness thrills her, she is also uncertain about navigating this new dynamic.
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Over the next few days, Anton is all Ursula can think about. She finds herself daydreaming about him, replaying their brief interaction in her mind, and imagining what might come next. Her feelings toward him grow more intense as she begins to see him as someone who offers her a glimpse into a different, more adventurous life. Ursula becomes preoccupied with her appearance, wanting to look beautiful for him. She starts to alter her style, sewing elegant dresses for herself and paying careful attention to her presentation.
As Ursula becomes preoccupied with Anton, her actions reflect the awakening of her desire for both him and the life he represents. The fact that she begins to alter her appearance and pay careful attention to her style shows how much Anton’s presence has affected her sense of self. She sees him as a pathway to a different life, and her focus on her external appearance symbolizes her attempt to transform herself in preparation for that life.
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The turning point in their relationship comes one evening when Anton kisses Ursula for the first time. The moment is quite intense, and Ursula feels completely overwhelmed. The kiss is a revelation for her, as it brings all of her feelings to the surface. For the first time, she fully understands the passion that has been building between them. As they walk together after the kiss, Ursula feels a sense of bliss, as though she is floating. The world around her seems to blur, and all that matters is the connection she feels with Anton. However, despite the joy of the moment, Ursula is also filled with a lingering sense of shame and confusion. She feels as though she has betrayed something sacred within herself by allowing her physical desires to take over.
The kiss between Anton and Ursula marks a significant turning point in her emotional and sexual awakening. The intensity of the moment reveals Ursula's newfound awareness of her physical desires, but the lingering shame she feels suggests that she is still grappling with the tension between her desires and what she believes is right. This internal conflict is the start of a broader struggle she will face in reconciling her sense of self with the physical realities of her growing sexuality.
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In the days following the kiss, Ursula shares the experience with Ethel, her closest school friend. When Ursula confides in her about their relationship, asking if it’s wrong to let a man kiss her, Ethel criticizes her for being involved with someone she barely knows. This criticism does little to dissuade Ursula, who is too exhilarated to care. She refers to Anton as a “Baron” and romanticizes their connection, despite knowing deep down that her feelings are complicated. Anton’s presence becomes a source of constant internal conflict for her, yet she cannot resist the allure he holds over her.
When Ursula shares her experience with Ethel, her friend’s criticism reflects societal expectations about propriety, particularly regarding romantic relationships. Ursula’s willingness to brush off Ethel’s concerns demonstrates her growing defiance of societal norms, though her romanticization of Anton as a “Baron” indicates that she is still caught up in a fantasy.
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As their relationship deepens, Anton frequently visits Cossethay, and his constant presence becomes an irritation for Ursula’s parents, especially Will. While Anna maintains a calm demeanor and accepts Anton’s visits with an air of cordiality, Will grows increasingly withdrawn in Anton’s company. This growing family unease makes Ursula feel conflicted, but she remains firm in her desire to be with Anton.
As Anton becomes a more frequent presence in Ursula’s life, his visits to Cossethay disrupt the family dynamic. Will’s increasing withdrawal reflects his discomfort and perhaps jealousy, as Anton represents the intrusion of an external influence into the close-knit family.
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In the midst of their romantic tension, Anton purchases a motor car to impress Ursula. One afternoon, he drives her through the countryside and Ursula delights in the feeling of the wind rushing through her hair. The fast, thrilling drive gives Ursula a taste of liberation, and Anton takes pride in the fact that he can provide her with this new experience. She feels powerful sitting beside him, as if they are escaping from the ordinary world together.
The motor car ride with Anton becomes a symbol of freedom and excitement for Ursula. The thrill of speed and the sensation of breaking free from her ordinary life fill her with a sense of power, an experience she craves. Anton’s pride in offering Ursula this taste of liberation reinforces his role as a gateway to a broader world. However, this moment is also fleeting, suggesting that the freedom Anton offers her is only temporary.
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However, this sense of freedom is short-lived. Anton soon receives word that he is being called back to his regiment in the army. Ursula, already aware of the emotional distance that exists between them, feels a growing sense of foreboding as his departure draws near. When Anton leaves, Ursula retreats further into herself, feeling a deep sense of loss. She withdraws from her family and friends, reflecting on the fleeting nature of their passion and the uncertainty of what their future holds.
Ursula’s retreat into herself after Anton’s departure signals the emotional toll that their relationship takes on her. The passion they shared feels increasingly insubstantial as she contemplates the uncertainty of their future. This moment marks a shift in Ursula’s internal world as she begins to reckon with the impermanence of her connection to Anton.
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In the fall, Ursula’s uncle Fred marries Laura, a teacher from Ilkeston, and they hold their wedding at Marsh Farm. The wedding is a grand affair, with elaborate preparations and a festive atmosphere. Anton, on leave from the army, attends the wedding, and Ursula feels both excited and apprehensive about seeing him again. Though she tries to focus on the joy of the occasion, she cannot shake the sense of emotional disconnection she feels with Anton. The lively atmosphere of the wedding does little to lift the weight of uncertainty that hangs over her.
At Fred and Laura’s wedding, the joyful atmosphere contrasts with Ursula’s inner turmoil. The weight of uncertainty surrounding Ursula’s and Anton’s relationship dampens her ability to engage fully with the festivities. The scene recalls Anna’s wedding, where Tom was similarly more focused on his inner life than on what was going on around him.
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After the ceremony, Anton and Ursula slip away from the crowd and take a walk along a canal. As they stroll together, the sense of distance between them becomes more pronounced. Ursula feels Anton watching her closely, but she struggles to understand his feelings. Along the way, they encounter a coal barge moored along the canal, and Ursula strikes up a conversation with the barge captain and his wife, who has recently birthed a child. When Ursula tells the couple her name, they like it and decide to name their newborn after her. Feeling a deep, unexpected connection to the child, Ursula gives her the necklace she wears, a treasured gift from Tom Jr. Anton, watching this exchange from a distance, seems to disapprove of her impulsive generosity.
The encounter with the barge captain and his wife is a moment of unexpected connection for Ursula, as she spontaneously gives the newborn her necklace. This act of generosity reflects her desire to forge meaningful relationships, even if they are fleeting. Anton’s disapproval of her gesture highlights the growing emotional distance between them, suggesting that he cannot fully understand or appreciate Ursula’s need for connection.
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When they return to the wedding, Ursula and Anton share several dances together, but Ursula feels an underlying tension in their movements. Despite this, the passion they share remains undeniable, and Ursula finds herself both drawn to and repelled by the intensity of their connection. After the dancing, Ursula walks alone to the cornfields, feeling a strange mix of exhilaration and confusion. Anton follows her, and they share a heated embrace and kiss in the secluded darkness of the field.
As Ursula and Anton dance together at the wedding, the tension in their movements is a physical manifestation of Ursula’s inner conflict. The intensity of their connection is undeniable, yet Ursula finds that it repels her as much as it draws her in. The heated embrace in the cornfields further intensifies her confusion, as she struggles to balance the passion she feels with her growing uncertainty.
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The following morning, Ursula attends church with Anton, though neither of them is moved by the sermon. As they sit together in the pews, Ursula reflects on her growing disillusionment with religion, but she realizes that this lack of belief does not trouble her. Anton seems similarly detached, and they exchange knowing glances, understanding that their relationship with faith has become as uncertain as their relationship with each other.
In the church, Ursula’s disillusionment with religion becomes more pronounced. Ursula and Anton’s shared detachment mirrors the increasing emotional distance in their relationship. The realization that neither is moved by religious belief echoes their uncertainty with each other, suggesting that their connection, like their faith, is losing its value.
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Not long after, Anton receives word that he is to be deployed to fight in the Boer War in South Africa. Though the news initially stirs a sense of pride in Anton, Ursula feels a growing distance between them. They exchange letters and small gifts during his time away, but Ursula finds her passion for him gradually waning. Her letters become shorter and less frequent, and she struggles to maintain the intense feelings she once had for him. As the days pass, Ursula retreats further into her own thoughts, feeling an intense sense of isolation.
Anton’s deployment to the Boer War solidifies the emotional divide between him and Ursula. Their letters and gifts are superficial, causing Ursula’s feelings for Anton to fade. This moment emphasizes how physical distance exposes the fragility of their bond. It suggests that their bond largely relied on proximity and Ursula’s belief that Anton was her gateway to the outside world. 
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After Anton leaves, Ursula becomes increasingly depressed and irritable. She no longer finds joy in the things that once excited her, and she begins to question the meaning of her relationship with Anton. Though she still thinks of him fondly at times, the intensity of their early passion has faded, leaving her with a lingering sense of emptiness. As autumn turns to winter, Ursula is left to grapple with the realization that her love for Anton, once so powerful and consuming, is slipping away.
Ursula’s fading passion mirrors the changing season, with her once-powerful feelings giving way to a deep sense of loss. Much like her relationship with religion, Ursula is starting to realize that this relationship with Anton, which seemed like a deeply meaningful one, was perhaps less significant than it appeared in the moment.
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