The Rainbow

by

D. H. Lawrence

Summary
Analysis
Lydia Lensky, born to a Polish landowner deeply in debt, experiences a turbulent upbringing. Her family’s financial troubles force them to rely on her mother’s German dowry to get by. As a young woman, Lydia marries Paul Lensky, a young doctor and fervent patriot who studied medicine in Berlin. Eager to support Paul, Lydia trains as a nurse. The couple, while poor, consider themselves modern and cosmopolitan. They immerse themselves in the emerging revolutionary movements spreading from Russia to Poland, advocating for political change. During this time, they also have two children.
Lydia's upbringing and marriage to Paul Lensky highlight her exposure to contrasting forces of tradition and modernity. On one hand, her family’s financial reliance on her mother’s dowry ties her to old-world customs, while on the other hand, Lydia's training as a nurse and her participation in revolutionary movements represent a break from these traditions. Lydia and Paul’s sense of modernity aligns with their political pursuits, though their poverty introduces tension between ideals and reality.
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Paul, with his fiery rhetoric, becomes a significant political figure. He rallies groups of young Poles, leading them through the streets with promises of rebellion. While Paul is busy acting as a revolutionary, both of Lydia and Paul’s children grow ill and die of diphtheria. Paul is devastated, but his fervent commitment to the rebellion compels him to continue his work. For Lydia, the loss marks the beginning of a mental and emotional decline, which coincides with a withdrawal from politics.
Lydia’s withdrawal from politics signals a shift from collective struggle to private suffering; she becomes disillusioned with her ideals, which cannot protect her against personal tragedy. Meanwhile, Paul’s increasing detachment from Lydia as he clings to his revolutionary identity illustrates how political causes can overshadow intimate human connections.
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The couple flees to London, seeking refuge. There, Paul’s fervent spirit degrades into irritability and paranoia. He is unable to adapt, and his behavior makes it impossible for him to keep work as an assistant doctor. They live in poverty, and Paul’s inflated sense of his own grandeur causes him to exert psychological dominance over Lydia, who lives a passive, shadow-like existence. When Paul dies shortly after the birth of their daughter, Anna, Lydia feels a sense of relief, though she still feels trapped in a sort of limbo.
Paul’s decline in London sees the disintegration of revolutionary ideals when faced with the harsh realities of poverty. The contrast between Paul’s former vitality and his final, diminished state shows the fragility of idealism when detached from practical reality. Meanwhile, Lydia’s mixed feelings after Paul’s death emphasize the complexity of her emotional state, as she remains unable to fully escape her past or embrace her future.
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Lydia wanders through life as if in an underworld, seeing the English people as distant, shadowy figures. Although she begins to pick up the English language, the culture remains alien to her. She goes to work in Yorkshire, acting as a nurse to a dying rector. The scenery of Yorkshire stirs something within her, as it reminds her of where she grew up in Poland. This new setting brings a painful awareness that disrupts her fragile mental state, leaving her feeling vulnerable and exposed to emotions she had tried to bury. Eventually, Lydia moves to Cossethay, where she meets Tom Brangwen. Lydia feels a profound connection to Tom when she passes him in the street, awakening a desire she hasn’t felt in years. During their courtship, she is drawn to him but struggles to fully connect to him. Nevertheless, they decide to marry.
Lydia’s experience of alienation in England mirrors her emotional isolation. The depiction of the English people as shadowy and distant emphasizes her feeling of displacement. Additionally, her work in Yorkshire serves as a symbolic confrontation with mortality and her buried emotions, as she cares for the dying rector. In Cossethay, Lawrence presents the moment where Tom and Lydia meet once again, this time from Lydia’s perspective. The connection Lydia feels with Tom represents a potential for renewal, though her emotional withdrawal suggests it will be a slow process.
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Quotes
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When Lydia becomes pregnant, the couple’s relationship becomes increasingly strained. Lydia withdraws emotionally, slipping back into her shadowy, detached state. Tom becomes frustrated and drinks more frequently, which only widens the gap between them. Their arguments are intense and frequent, making Tom think that he will soon lose Lydia altogether. Meanwhile, Anna resists Tom’s presence in her life. She frequently asks Lydia when they can return to their former home and accuses Tom of taking her mother away from her.
Lydia’s pregnancy exacerbates the emotional distance between her and Tom, suggesting that their bond is quite fragile and not ready to handle another child. Her retreat into detachment echoes her earlier withdrawal after her children’s deaths, suggesting that pregnancy and motherhood trigger unresolved trauma for Lydia. Because Tom does not know what else to do, he once again turns to alcohol.
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However, Anna does find some peace on the farm. She enjoys running around the farmyard, engaging with the animals as if they are her playmates, and repeating the stories her mother told her. However, in the home, she is far more aloof. She expresses disdain for Tilly, perceiving her as merely a servant and not worthy of personal attention. Over time, Anna slowly accepts Tilly’s presence but never fully regards her as an individual. As more time passes, Anna’s relationship with Tom continues to evolve. Though she remains wary of him, they gradually start to form a bond. Tom, who has become fond of her, takes her along on his trips to town. Anna finds comfort in his physical closeness, and their relationship develops through these small, shared experiences.
Anna’s disdain for Tilly reflects her struggle to navigate the social hierarchy within the household, as she positions herself above the servant. However, her connection with the animals provides her with a sense of joy that the human relationships in her life fail to offer. Meanwhile, though wary of Tom, Anna starts to find comfort in their shared experiences, and Tom’s affection for her helps bridge the emotional distance between them. Lawrence suggests that such small, everyday interactions have the power to rebuild broken relationships and foster new connections.
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As Lydia’s pregnancy progresses, she becomes more withdrawn, much like she was before coming to Cossethay. These changes unsettle Anna, who similarly reverts to her former, guarded self. When Anna accompanies Tom to the fields, she often becomes restless and demands to go home because she wants to be near Lydia. The winter months are especially hard on the household. The weather grows harsher, and the atmosphere inside the house becomes heavy with tension. Anna senses the strain and begins to act out more. During this time, she constantly cries for her mother, often with an intense degree of stress in her voice.
Lydia’s pregnancy sees her return to her earlier emotional state, as she becomes detached from those around her. This emotional withdrawal triggers a regression in Anna, as she instinctively mirrors her mother’s behavior. Here, Lawrence captures the cyclical nature of emotional trauma, where past pain resurfaces, affecting both the mother and the child.
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As Lydia goes into labor, the atmosphere in the house grows even more tense. Tom feels torn between his deep connection to Lydia and the primal dread of the unknown that labor represents. While he is aware of Lydia’s suffering, his mind drifts to memories of his own childhood, offering him a brief escape from the immediate tension. Meanwhile, Anna’s anxiety reaches its peak; she becomes inconsolable, crying out for her mother with a desperation that pierces through the household.
The tension surrounding Lydia’s labor creates a sense of collective anxiety within the household. Though Tom feels connected to her, he is also powerless in the face of her suffering. He retreats into memories of his own childhood to escape from the immediate tension and reconnect with a time when he felt safe. Similarly, Anna’s emotional crisis illustrates her attachment to her mother and emphasizes the psychological toll that Lydia’s withdrawal takes on her.
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To soothe Anna, Tom decides to take her out into the barn, despite the cold and rain. The change of setting calms her, as the barn is warm and still. As they feed the cows together, a new bond forms between them. Anna slowly relaxes in Tom’s arms, her body yielding to his comforting presence. The experience brings a sense of quiet and reassurance, allowing Anna to feel safe in Tom’s care. As she falls asleep, Tom reflects on his own childhood and the comforting security of his past, realizing the shared human need for comfort and protection.
The barn, with its warmth and stillness, is a temporary refuge where Tom and Anna can reconnect. This moment of physical closeness between them contrasts with the emotional distance felt elsewhere in the household, particularly between Lydia and Tom. It is another small but important moment that brings Tom and Anna closer together, where Anna gets to feel secure, and Tom reaches a deeper level of understanding regarding his own childhood.
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As he returns to the house, Tom is filled with a mix of dread as he contemplates Lydia’s suffering in childbirth. When he reenters the room where Lydia has given birth, her otherworldly appearance frightens him. She speaks to him in Polish, which he cannot understand. Tom reaches out to touch her hand, feeling both their intimate connection and the vast, impersonal distance between them. She looks at him with an impersonal gaze, seeing him only as the man who fathered her child, not as the husband she knows. Tom, overwhelmed, steps outside into the rain to clear his mind. After a moment of meditation, he goes back inside his home, feeling prepared for whatever comes next.
Tom’s dread as he reenters the house reflects his primal fear of childbirth, both as a physical process and as an existential experience. Lydia’s otherworldly appearance indicates she has temporarily transformed into someone or something that is unrecognizable to Tom. The language barrier further emphasizes the distance between them at this moment. Despite their physical proximity, Tom feels the vast space between them, though the rain helps purify his thoughts and prepare him for whatever comes next.
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