In the play’s final scene, Woyzeck oscillates between rationality (he has the foresight to realize the importance of hiding the knife) and irrationality (he sees bloodstains on his body which may or may not exist, and his fear that others may find the knife borders on paranoia). Notably, his fixation on the bloodstains may be a nod to Shakespeare’s
Macbeth, in which Lady Macbeth hallucinates blood she cannot wash from her hands following Duncan’s murder. In a sense, then, Woyzeck’s paranoia about the blood suggests his guilt and remorse over Marie’s murder. Once more, the play highlights Woyzeck’s conflicted emotions and intense paranoia in order to emphasize his compromised mental state. Undeniably he is guilty of murder, but it’s also critical to consider how the dehumanizing treatment he was subjected to up to that point primed him to commit such a brutal, inhuman act. Woyzeck’s higher-ups and employers have ridiculed him as immoral and animalistic, and he finally breaks and lashes out in a fit of immoral, animal rage.