Stories and Human Psychology Theme Analysis

Anslinger had his story now. He announced on a famous radio address: “Parents beware! Your children…are being introduced to a new danger in the form of a drugged cigarette, marijuana. Young [people] are slaves to this narcotic, continuing addiction until they deteriorate mentally, become insane, [and] turn to violent crime and murder.”

Billie didn’t blame Anslinger’s agents as individuals; she blamed the drug war itself—because it forced the police to treat ill people like criminals. “Imagine if the government chased sick people with diabetes, put a tax on insulin and drove it into the black market, told doctors they couldn’t treat them,” she wrote in her memoir, “then sent them to jail. If we did that, everyone would know we were crazy. Yet we do practically the same thing every day in the week to sick people hooked on drugs.”

It is easy to judge Harry Anslinger. But if we are honest, I suspect that everybody who has ever loved an addict—everybody who has ever been an addict—has this impulse in them somewhere. Destroy the addiction. Kill the addiction. Throttle it with violence. Harry Anslinger is our own darkest impulses, given a government department and a license to kill.

As I researched this book, I traveled a long way from the farm fields of Pennsylvania—but at every step, I began to feel I was chasing the scream that terrified little Harry Anslinger all those years ago, as it echoed out across the world.

Henry Smith Williams assumed that Anslinger—and prohibition—were rational, like him. They were not. They are responses to fear, and panic. And nobody, when they are panicking, can see the logical flaws in their thought.
Harry worked very hard to keep the country in a state of panic on the subject of drugs so that nobody would ever again see these logical contradictions. Whenever people did point them out, he had them silenced. He had to make sure there was no room for doubt—in his own head, or in the country—and no alternative for Americans to turn to.

Whenever any representative of another country tried to explain to him why these policies weren’t right for them, Anslinger snapped: “I’ve made up my mind—don’t confuse me with the facts.”

And so Thailand caved. Britain caved. Everyone—under threat—caved in the end. The United States was now the most powerful country in the world, and nobody dared defy them for long. Some were more willing than others. Pretty much every country has its own minority group, like African Americans, whom it wants to keep down. For many, it was a good excuse. And pretty much every country had this latent desire to punish addicts. “The world belongs to the strong,” Harry believed. “It always has and it always will.” The result is that we are all still stuck at the end of the barrel of Harry Anslinger’s gun.

It is a natural human instinct to turn our fears into symbols, and destroy the symbols, in the hope that it will destroy the fear. It is a logic that keeps recurring throughout human history, from the Crusades to the witch hunts to the present day. It’s hard to sit with a complex problem, such as the human urge to get intoxicated, and accept that it will always be with us, and will always cause some problems (as well as some pleasures). It is much more appealing to be told a different message—that it can be ended. That all these problems can be over, if only we listen, and follow.

There would be many more bullets, but I was going to learn on my journey that Arnold Rothstein has not yet died. Every time he is killed, a harder and more vicious version of him emerges to fill the space provided by prohibition for a global criminal industry. Arnold Rothstein is the start of a lineup of criminals that runs through the Crips and the Bloods and Pablo Escobar to Chapo Guzman—each more vicious because he was strong enough to kill the last.

[…]

And I was going to see that, like Rothstein, Harry Anslinger is reincarnated in ever-tougher forms, too. Before this war is over, his successors were going to be deploying gunships along the coasts of America, imprisoning more people than any other society in human history, and spraying poisons from the air across foreign countries thousands of miles away from home to kill their drug crops.

But on I-95, Leigh began to see the act of pulling over a car to search it in a new way. Once, she saw this scene as a soldier in a just war approaching the enemy. Now she sees it as a meeting of people who are surrounded by ghosts. As he approaches the car, the police officer has ranged behind him the ghosts of all the cops he has known, “all the funerals he’s been to, all the people who’ve been killed in traffic stops—because it’s a lot,” she says. And then “there’s also this poor black kid” in the car. Sitting in the passenger seats behind him are his ghosts—all of his relatives and friends who have been killed in police raids or vanished into the American prison system.
Neither can see the other side’s ghosts. They can only hate.

Harry Anslinger employed Joe Arpaio in 1957 to be an agent in the Federal Bureau of Narcotics, and he rose through the bureau over decades. Since 1993, he has been the elected sheriff of Maricopa County, Arizona. He was eighty when I met him, and about to be elected to his sixth consecutive term. His Stetson, his shining yellow lawmaker’s badge, and his sneer have become national symbols of a particular kind of funhouse-mirror Americana, and his hefty chunk of Arizona, home to nearly four million people, is now Harry Anslinger’s last great laboratory. Sheriff Joe has built a jail that he refers to publicly as his “concentration camp,” and presidential candidates flock here during election campaigns, emerging full of praise. Anslinger said addicts were “lepers” who needed to be “quarantined,” and so Arpaio has built a leper colony for them in the desert.

We all—the vast majority of drug warriors, and the vast majority of legalizers—have a set of shared values. We all want to protect children from drugs. We all want to keep people from dying as a result of drug use. We all want to reduce addiction. […] When we move beyond the drug war, we will be able to achieve those shared goals with much greater success.

At the start of my journey, I set out to find an answer to a contradiction within myself, and within our culture—between the impulse to be compassionate to addicts, and the impulse to crush and destroy our addictive impulses. Now, at last, I see—and really feel—that it is not a contradiction at all. A compassionate approach leads to less addiction. […] This isn’t a debate about values. It’s a debate about how to achieve those values.

I didn’t threaten to sever the connection: I promised to deepen it.
As I write this, he is passed out on my spare bed. […] I looked him just now, lying there, his face pallid again, and as I stroked his hair, I think I understood something for the first time. The opposite of addiction isn’t sobriety. It’s connection. It’s all I can offer. It’s all that will help him in the end. If you are alone, you cannot escape addiction. If you are loved, you have a chance. For a hundred years we have been singing war songs about addicts. All along, we should have been singing love songs to them.

I try now to picture Harry as the first dose of opiates washes through his system and it makes him still and calm. What does he think in that moment? Does he think of Henry Smith Williams and Billie Holiday and his order to his agents to “shoot first” when they saw drugs? Does he think of the scream he heard all those years before as a little boy in a farmhouse in Altoona, and of all the people he had made scream since in an attempt to scrub this sensation from the human condition—or does he, for a moment, with the drugs in his hand, hear, at last, the dying of the scream?