Borders, Hybridity, and Identity
In Borderlands / La Frontera, a book of seven essays and three dozen poems, Chicana feminist scholar Gloria Anzaldúa explores what it means to live on and across borders of all sorts. While she focuses on the U.S.-Mexico Borderlands, where her family has lived for six generations, she also emphasizes the way she straddles other cultural and psychological borders—like male and female, the English and Spanish languages, the self and the other…
read analysis of Borders, Hybridity, and IdentityHistory and the U.S.-Mexico Relationship
Borderlands / La Frontera isn’t just about the psychological and spiritual dimensions of identity: it is also distinctly historical. Gloria Anzaldúa grounds her analysis in the broad history of US-Mexico relations and the specific fate of the Rio Grande Valley, her home, which has always been native land and which the US stole from Mexico in the 1840s. She explains how the US government never honored its treaties promising the land to the 100,000…
read analysis of History and the U.S.-Mexico RelationshipChicana Feminism
Despite her profound love for her Chicano culture, Gloria Anzaldúa readily admits that it has not been welcoming to lesbians and feminists like her. In fact, it rejects lesbians, teaches men to dominate women and women to obey men, punishes women who show ambition, and even blames Mexico’s historical woes on native women like Malintzín. (But this doesn’t make it unique, Anzaldúa argues: Anglo-American culture is just as patriarchal and problematic in this regard.)…
read analysis of Chicana FeminismLanguage, Storytelling, and Ritual
As a multilingual poet and literary scholar, Gloria Anzaldúa pays special attention to the power of language and storytelling throughout Borderlands / La Frontera. As the book’s title forewarns, Anzaldúa mixes English and Spanish throughout, usually without translations. Monolingual readers are likely to find this frustrating at times. But these linguistic shifts aren’t trivial or random; in fact, her book’s success arguably depends on her language-mixing.
In the essay “Tlilli, Tlapalli / The…
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