Furniture Store Symbol Analysis

There weren’t many white men who called him mister. Downtown, anyway. The first time Carney came to the Row on business, the white clerks pretended not to see him, attending to hobbyists who came in after him. He cleared his throat, he gestured, and remained a black ghost, store after store, accumulating the standard humiliations, until he climbed the black iron steps to Aronowitz & Sons and the proprietor asked, “Can I help you, sir?” Can I help you as in Can I help you? As opposed to What are you doing here? Ray Carney, in his years, had a handle on the variations.

He didn’t know where the rent was going to come from, but it was still early in the month. You never know. The TVs were smart and they were a nice couple and it was good to do for them what no one did for him when he was young: give a hand. “I may be broke, but I ain’t crooked,” he said to himself, as he often did at times like this. When he felt this way. Weary and a little desperate, but also high-hearted.

Carney was only slightly bent when it came to being crooked, in practice and ambition. The odd piece of jewelry, the electronic appliances Freddie and then a few other local characters brought by the store, he could justify. Nothing major, nothing that attracted undue attention to his store, the front he put out to the world. If he got a thrill out of transforming these ill-gotten goods into legit merchandise, a zap-charge in his blood like he’d plugged into a socket, he was in control of it and not the other way around. Dizzying and powerful as it was. Everyone had secret corners and alleys that no one else saw—what mattered were your manor streets and boulevards, the stuff that showed up on other people’s maps of you. The thing inside him that gave a yell or tug or shout now and again was not the same thing his father had. That sickness drawing every moment into its service.

The man had a point, more than he knew. For Carney was not a fence.

Yes, a percentage of his showroom was stolen. TVs, radios back when he could still unload them, tasteful modern lamps, and other small appliances in perfect condition. He was a wall between the criminal world and the straight world, necessary, bearing the load. But when it came to precious metals and gems, he was more of a broker.

Five hundred dollars. Crooked world, straight world, same rules—everybody had a hand out for the envelope. A five-hundred-dollar investment in the future of Carney’s Furniture if business kept rolling in like it was. A second store, a third? The members of the Dumas Club circulated around him in the room: whiskey in hand, elbows in ribs. They were a collection of chumps, but he'd need these Dumas chumps for permits, loans, to keep the city off his back.

[…]

It was a betrayal of certain principles, sure, a philosophy about achieving success despite—and to spite—men like these. Condescending Leland types, Alexander Oakes and his lapdog buddies. But these were new times. The city is ever-changing, everything and everyone must keep up or fall behind. The Dumas Club had to adapt, and so did Carney.

“You’re reading too many papers,” Freddie said. “Does he try to make a buck? He doesn’t try to hide anything. Put on a costume, like you. Suit and tie every day, pretty wife and kids, trying to hide shit. He’s out there trying to run a hustle the same as you.”

“It’s like this,” Munson said. “There is a circulation, a movement of envelopes that keeps the city running. Mr. Jones, he operates a business, he has to spread the love, give an envelope to this person, another person, somebody at the precinct, another place, so everybody gets a taste. Everybody’s kicking back or kicking up. Unless you’re on top. Low men like us, we don’t have to worry about that. Then there’s Mr. Smith, who also runs a business, and he’s doing the same thing if he is a wise and learned soul and wants to stick around. Spreading the love. The movement of the envelopes. Who is to say which man is more important, Mr. Jones or Mr. Smith? To whom do we give our allegiance? Do we judge a man by the weight of the envelope—or whom he gives it to?”

Carney remembered Pepper taking him on his hunt for Miami Joe, the fronts and hideouts the crook had exposed during their search for the double-crosser. That time, places Carney had never seen before were suddenly rendered visible, like caves uncovered by low tide, branching into dark purpose. They’d never not been there, offering a hidden route to the underworld. This tour with Munson on his rounds took Carney to places he saw every day, establishments on his doorstep, places he’d walked by ever since he was a kid, and exposed them as fronts. The doorways were entrances into different cities—no, different entrances into one vast, secret city. Ever close, adjacent to all you know, just underneath. If you know where to look.

One night Freddie said the stars made him feel small. The boys’ constellation knowledge stalled after the Dippers and the Belt, but you didn’t have to know what something was called to know how it made you feel, and looking at the stars didn’t make Carney feel small or insignificant, the stars made him feel recognized. They had their place and he had his. We all have our station in life—people, stars, cities—and even if no one looked after Carney and no one suspected him capable of much at all, he was going to make himself into something. The truck bounced uptown. Now look at him. It wasn’t a bronze plate on a skyscraper, but everybody knew the corner of 125th and Morningside was his, it had his name on it—CARNEY’S—plain as day.