Throughout Harlem Shuffle, Ray Carney struggles to reconcile two discordant but equally important sides of his identity: the straight-shooting businessman and the crooked criminal. Try as he might to deny the parts of himself that remind him of his father, Big Mike—a ruthless and violent man who led an openly immoral life—Carney routinely ends up bending society’s rules to benefit himself and those he loves. At the novel’s start in 1959, Carney denies Big Mike’s influence to the extent that he lies to himself about his side business of reselling stolen goods, calling his pilfered TVs and radios “gently used” instead. Even after he begins “fencing” in earnest, Carney justifies his increasingly crooked behavior by focusing on how it benefits his family and maintaining a studied ignorance of any victims of his crimes. Not until Carney plans a scheme of his own to ruin the life of Wilfred Duke—a prominent banker who betrayed him—does he truly acknowledge his own crooked inclinations and the pleasure they bring him. Here, the novel examines how denying aspects of one’s own personality does not eradicate those aspects, but more likely just suppresses them and makes them liable to reappear at unexpected times.
Even when Carney leans into his crooked side, he tries to keep all criminal behavior completely separate from the “straight” life he leads as an upstanding business-owner, husband, and father. While planning his revenge on Duke, Carney begins literally separating his lives by adopting a habit he calls “dorvay,” referring to the late-night and early-morning hours between two sleeps, during which he tends to illegal endeavors. Despite such efforts, Carney’s two lives eventually collide, though in a less dramatic way than might be anticipated. While he certainly endangers his family, Elizabeth never learns of her husband’s crooked connections over the course of the novel. Instead, Elizabeth invites one of Carney’s criminal associates—bruiser Pepper, who used to run with Big Mike—to dinner with the family. In this quotidian moment at the table, Carney realizes it is possible for the two parts of his identity to coexist. By allowing Carney to accept both the straight and the crooked as integral parts of his identity, the novel avoids simplifying human beings as either good or bad, instead acknowledging the ways a person can embody nuance and contradiction.
Identity and Duality ThemeTracker
Identity and Duality Quotes in Harlem Shuffle
He didn’t know where the rent was going to come from, but it was still early in the month. You never know. The TVs were smart and they were a nice couple and it was good to do for them what no one did for him when he was young: give a hand. “I may be broke, but I ain’t crooked,” he said to himself, as he often did at times like this. When he felt this way. Weary and a little desperate, but also high-hearted.
Carney’d picked 528 Riverside this month, a six-story red brick with fancy white cornices. Stone falcons or hawks on the roofline watching the human figures below. He favored the fourth-floor apartments these days, or higher, after someone pointed out that the higher views cleared the trees of Riverside Park. He hadn’t thought of that. So: that fourth-floor unit of 528 Riverside, in his mind a pleasant hive of six rooms, a real dining room, two baths. A landlord who leased to Negro families. With his hands on the sill, he’d look out at the river on nights like this, the city behind him as if it didn’t exist. That rustling, keening thing of people and concrete. Or the city did exist but he stood with it heaving against him, Carney holding it all back by sheer force of character. He could take it.
Carney was only slightly bent when it came to being crooked, in practice and ambition. The odd piece of jewelry, the electronic appliances Freddie and then a few other local characters brought by the store, he could justify. Nothing major, nothing that attracted undue attention to his store, the front he put out to the world. If he got a thrill out of transforming these ill-gotten goods into legit merchandise, a zap-charge in his blood like he’d plugged into a socket, he was in control of it and not the other way around. Dizzying and powerful as it was. Everyone had secret corners and alleys that no one else saw—what mattered were your manor streets and boulevards, the stuff that showed up on other people’s maps of you. The thing inside him that gave a yell or tug or shout now and again was not the same thing his father had. That sickness drawing every moment into its service.
He measured his prison time in terms not of years lost but of scores missed. The city! And all its busy people and the sweet things they held dear in safes and vaults, and his delicate talent for seducing these items away. He’d bought farmland in Pennsylvania through a white lawyer and it was waiting for him, this green wonder. Arthur put the pictures the lawyer sent him up in his cell. His cellmate asked him what the hell it was, and he told him it was where he’d grown up. Arthur had grown up in a Bronx tenement fighting off rats every night, but when he finally retired to the nice clapboard house, he’d run through the grass like he was a kid again. Every hammer blow like he was busting through city concrete to the living earth below.
The man had a point, more than he knew. For Carney was not a fence.
Yes, a percentage of his showroom was stolen. TVs, radios back when he could still unload them, tasteful modern lamps, and other small appliances in perfect condition. He was a wall between the criminal world and the straight world, necessary, bearing the load. But when it came to precious metals and gems, he was more of a broker.
What kind of block had its own name? What would they call his old stretch of 127th? Crooked Way. Striver versus crook. Strivers grasped for something better—maybe it existed, maybe it didn’t—and crooks schemed about how to manipulate the present system. The world as it might be versus the world as it was. But perhaps Carney was being too stark. Plenty of crooks were strivers, and plenty of strivers bent the law.
Race-conscious and proud, up to a point—light enough to pass for white, but a little too eager to remind you that they could pass for white. Carney spooned Gerber baby food into May’s mouth, saw his hand against her cheek. She was dark, like him. He wondered if Alma still recoiled when she saw her granddaughter’s skin, felt dismayed that she hadn’t turned out light like Elizabeth. He saw her flinch in the hospital room after the delivery. All that hard work and then look at what her daughter marries. Did she stare at her daughter’s belly and wonder whose blood would win out this time?
About a month later Carney received a package. He got an odd feeling and closed his office door and drew the blinds to the showroom. Inside the box, wrapped in newspaper like a fish, was Miss Lucinda Cole’s necklace. The ruby glared at him, a mean lizard eye. Pepper’s handwriting was childish. The note said, “You can split this with your cousin.” He didn’t. He sat on it for a year to let the heat die down. Buxbaum paid him and Carney put the money away for the apartment. “I may be broke sometimes, but I ain’t crooked,” he said to himself. Although, he had to admit, perhaps he was.
Five hundred dollars. Crooked world, straight world, same rules—everybody had a hand out for the envelope. A five-hundred-dollar investment in the future of Carney’s Furniture if business kept rolling in like it was. A second store, a third? The members of the Dumas Club circulated around him in the room: whiskey in hand, elbows in ribs. They were a collection of chumps, but he'd need these Dumas chumps for permits, loans, to keep the city off his back.
[…]
It was a betrayal of certain principles, sure, a philosophy about achieving success despite—and to spite—men like these. Condescending Leland types, Alexander Oakes and his lapdog buddies. But these were new times. The city is ever-changing, everything and everyone must keep up or fall behind. The Dumas Club had to adapt, and so did Carney.
Here was every street corner in this city, populated by noisy, furious characters who were all salesmen, delivering dead pitches for bum products to customers who didn’t have a fucking nickel anyway. He moved one foot then the other.
Sucker. The mistake was to believe he’d become someone else. That the circumstances that shaped him had been otherwise, or that to outrun those circumstances was as easy as moving to a better building or learning to speak right. Hard stop on the t. He knew where he stood now, had always known, even if he’d gotten confused; there was the matter of redress.
“You’re reading too many papers,” Freddie said. “Does he try to make a buck? He doesn’t try to hide anything. Put on a costume, like you. Suit and tie every day, pretty wife and kids, trying to hide shit. He’s out there trying to run a hustle the same as you.”
Learned gentlemen aside, Carney knew crime’s hours when he saw them—dorvay was crooked heaven, when the straight world slept and the bent got to work. An arena for thieving and scores, break-ins and hijacks, when the con man polishes the bait and the embezzler cooks the books. In-between things: night and day, rest and duty, the no-good and the up-and-up. Pick up a crowbar, you know the in-between is where all the shit goes down. He upheld the misspelling in his thoughts, in keeping with his loyalty to his mistakes.
Following his targets back-to-back, the banker and the peddler, Pepper had to say they were in the same business. There were obvious junkies in Harlem, swaying, grooving to some inner refrain, and then there were citizens you’d never know were on junk. Normal people with straight jobs who strolled up to Dixon’s men, copped, then split to their warrens. Then there was Duke. Every day Duke hustled, doing his own handoffs in restaurants and club rooms, pushing that inside dope: influence, information, power. You couldn’t tell who was using what these days, their drug of choice, but half the city was on something if you had your eyes open.
In the coming days, he tried to determine when the Duke job actually got underway. Did it begin with the arrest of the drug dealer, that endgame maneuver? With the return of dorvay, and Carney’s nocturnal scheming all those summer nights, or the day the banker committed an offense that called for payback? Or had it been summoned from their natures, deep in their makeup? Duke’s corruption. The Carney clan’s worship of grudges. If you believed in the holy circulation of envelopes, everything that went down happened because a man took an envelope and didn’t do his job. An envelope is an envelope. Disrespect the order and the whole system breaks down.
He finally went down near dawn and when he woke he was back on schedule, in sync once more with the straight world. Cast out from the forgotten land of dorvay, as if he’d never been there. What had they meant, those dark hours? Maybe it was a way to keep the two sides of him separate, the midnight him and the daytime him, and he didn’t need it anymore. If he ever had. Maybe he’d invented a separation where none existed, when it was all him and always had been.
Carney remembered Pepper taking him on his hunt for Miami Joe, the fronts and hideouts the crook had exposed during their search for the double-crosser. That time, places Carney had never seen before were suddenly rendered visible, like caves uncovered by low tide, branching into dark purpose. They’d never not been there, offering a hidden route to the underworld. This tour with Munson on his rounds took Carney to places he saw every day, establishments on his doorstep, places he’d walked by ever since he was a kid, and exposed them as fronts. The doorways were entrances into different cities—no, different entrances into one vast, secret city. Ever close, adjacent to all you know, just underneath. If you know where to look.
Work together and we can subvert their evil order. It was a map of the black nation inside the white world, part of the bigger thing but its own self, independent, with its own constitution. If we didn’t help one another we’d be lost out there.
That was how Carney put it to himself, as his wife gave Pepper her standard client pitch. Pepper took in Elizabeth’s spiel patiently. He chewed, savoring, squeezed in between John and May like an eccentric uncle. He was a relative, this crook, part of his father’s clan. Carney raised his Schlitz and made a toast to the chef. It was Wednesday night, family supper, both sides of him at the table, the straight and the crooked, breaking bread.
One night Freddie said the stars made him feel small. The boys’ constellation knowledge stalled after the Dippers and the Belt, but you didn’t have to know what something was called to know how it made you feel, and looking at the stars didn’t make Carney feel small or insignificant, the stars made him feel recognized. They had their place and he had his. We all have our station in life—people, stars, cities—and even if no one looked after Carney and no one suspected him capable of much at all, he was going to make himself into something. The truck bounced uptown. Now look at him. It wasn’t a bronze plate on a skyscraper, but everybody knew the corner of 125th and Morningside was his, it had his name on it—CARNEY’S—plain as day.