In the Dream House

In the Dream House

by

Carmen Maria Machado

In the Dream House: 134. Dream House as Proof Summary & Analysis

Summary
Analysis
In the present, Machado suggests that the proof of the abuse she endured exists in parts of her body, like her nervous system and cerebral cortex. She knows that she could only prove her case—not in a court of law, but perhaps to “the court of queer history”—through small, unrecorded, or nonexistent details, like witness statements from people who saw her and the woman from the Dream House fighting in public or the measurements of the woman’s grip on Machado’s arms. Machado wonders what it means to be able to prove something, and who gets to decide whether something is true.
Though Machado can’t take her proof, which is mostly abstract and hypothetical, to a court of law or present a watertight case against the woman from the Dream House, she uses her power as a storyteller to present this case as comprehensively as she’s able to. By telling her story, she carves out space for herself to depict what truly happened and to enter it into the archive, even if she can’t file her case in any legal, official way.
Themes
Queer Visibility Theme Icon
Storytelling, Responsibility, and Freedom Theme Icon
Quotes