Nick Hornby’s conception of masculinity changes throughout the years of his life Fever Pitch narrates. In England at the time (the 1960s and 1970s), there is a stereotype that football fans are ultra-masculine, and consequently that they are violent and uneducated. It is true at the time that disputes among soccer fans often cause rioting, injuries, and death. In his adolescence, Hornby embraces this stereotype, and he thinks of masculinity as a cluster of inseparable traits. But this is a dangerous belief—at one point Hornby finds himself enraged and screaming in the stands at a game simply because he feels that he’s supposed to. Later, he is ashamed and regretful. At this time, Hornby also believes that football is exclusively for men—and that women don’t attend or understand games.
For a time in his young adulthood, Hornby falls in with a social group that rejects masculinity and likes art and literature, so Hornby abandons his love of football to fit in with them. Later, when Hornby attends Cambridge, he realizes that there are many well-educated football fans who don’t fit the masculine stereotype. He realizes that he is free to choose whatever masculine traits he desires and reject others. Of course, cultural notions of masculinity also change over the course of Hornby’s life and influence his views. By the time he’s in his 30s, he no longer believes that women can’t be football fans—his girlfriend, after all, goes to all the Arsenal games with him. Hornby also writes that violence at soccer games has become much less common by this time. Through Hornby’s narration of his relationship to football, Fever Pitch implies that stereotypes linking masculinity, sports, and violence are harmful in that they actually promote violence, and they inhibit both men and women’s abilities to form unique identities.
Sports and Masculinity ThemeTracker
Sports and Masculinity Quotes in Fever Pitch
I remember the overwhelming maleness of it all—cigar and pipe smoke, foul language (words I had heard before, but not from adults, not at that volume), and only years later did it occur to me that this was bound to have an effect on a boy who lived with his mother and sister; and I remember looking at the crowd more than at the players.
On Saturdays, it seems to me now, we enacted a weird little parody of a sitcom married couple: she would take me down to the station, I’d go on the train up to London, do my man’s stuff and ring her from the forecourt call-box when I got back for a lift home. She would then put my tea on the table and I ate while I talked about my day and, sweetly, she would ask questions about a subject that she didn’t know much about, but tried to take an interest in anyway, for my sake.
Marriages are nowhere near as rigid—you won’t catch any Arsenal fans slipping off to Tottenham for a bit of extra-marital slap and tickle, and though divorce is a possibility (you can just stop going if things get too bad), getting hitched again is out of the question.
The art deco splendour of the West Stand was not possible without Dad’s deeper pockets, so Rat and I stood in the Schoolboys’ Enclosure, peering at the game through the legs of the linesmen.
It’s easy to forget that we can pick and choose. Theoretically it is possible to like football, soul music and beer, for example, but to abhor breast-grabbing and bottom-pinching (or, one has to concede, vice versa): one can admire Muriel Spark and Bryan Robson.
What I enjoyed most of all, however, was the way the players revealed themselves, their characters and their flaws, almost immediately.
No, you see, in England somebody, somewhere, knew what they were doing, and there was this system, which nobody ever explained to us, that prevented accidents of this kind. It might seem as though the authorities, the club and the police were pushing their luck on occasions, but that was because we didn’t understand properly how they were organising things.
You couldn’t look at those Liverpool fans and ask yourself, as you had been able to do with the Millwall fans at Luton, or the Chelsea fans in their League Cup match, ‘Who are these people?’; you already knew.
[…] the clubs, I’m afraid to say, did nothing; this one poignant little gesture would have cost them a few bob, so they scrapped it.
‘Here come the fucking Wongs’, remarked one of a group of young men, as I led my charges down the steps to find a position from which we could see at least a square of the pitch. I didn’t bother translating.
But it gets harder and harder, and sometimes hurting someone is unavoidable.
Over the years we have come to confuse football with something else, something more necessary, which is why these cries of outrage are so heartfelt and so indignant.