Rahul Character Analysis

They relied on their children, on Sudha especially. It was she who had to explain to her father that he had to gather up the leaves in bags, not just drag them with his rake to the woods opposite the house. She, with her perfect English, who called the repair department at Lechmere to have their appliances serviced. Rahul never considered it his duty to help their parents in this way.

She’d always had a heavy hand in his life, it was true, striving not to control it but to improve it somehow. She had always considered this her responsibility to him. She had not known how to be a sister any other way.

And so he became what all parents feared, a blot, a failure, someone who was not contributing to the grand circle of accomplishments Bengali children were making across the country, as surgeons or attorneys or scientists, or writing articles for the front page of The New York Times.

It was like the painting they’d first looked at together in London, the small mirror at the back revealing more than the room at first appeared to contain. And what was the point of making Roger lean in close, to see what she was already forced to?

“Do you live here?” he asked.

“I painted the walls,” Sang said, as if that would explain everything. Paul remembered her painting her own room, listening to Billie Holiday.

The policeman leaned over, inspecting the broken glass and flower debris on the carpet, noticing the welts on her skin. “What happened?”

“I bought them,” she said, tears streaming quickly down her cheeks. Her voice was thick, ashamed. “I did this to myself.”

It was her inability, ultimately, to approach middle age without a husband, without children, with her parents living now on the other side of the world, and yet to own a home and shovel the driveway when it snowed and pay her mortgage bill when it came [...] to abide that life indefinitely that led her to Navin.

They relied on their children, on Sudha especially. It was she who had to explain to her father that he had to gather up the leaves in bags, not just drag them with his rake to the woods opposite the house. She, with her perfect English, who called the repair department at Lechmere to have their appliances serviced. Rahul never considered it his duty to help their parents in this way.

She’d always had a heavy hand in his life, it was true, striving not to control it but to improve it somehow. She had always considered this her responsibility to him. She had not known how to be a sister any other way.

And so he became what all parents feared, a blot, a failure, someone who was not contributing to the grand circle of accomplishments Bengali children were making across the country, as surgeons or attorneys or scientists, or writing articles for the front page of The New York Times.

It was like the painting they’d first looked at together in London, the small mirror at the back revealing more than the room at first appeared to contain. And what was the point of making Roger lean in close, to see what she was already forced to?

“Do you live here?” he asked.

“I painted the walls,” Sang said, as if that would explain everything. Paul remembered her painting her own room, listening to Billie Holiday.

The policeman leaned over, inspecting the broken glass and flower debris on the carpet, noticing the welts on her skin. “What happened?”

“I bought them,” she said, tears streaming quickly down her cheeks. Her voice was thick, ashamed. “I did this to myself.”

It was her inability, ultimately, to approach middle age without a husband, without children, with her parents living now on the other side of the world, and yet to own a home and shovel the driveway when it snowed and pay her mortgage bill when it came [...] to abide that life indefinitely that led her to Navin.