In Death Comes for the Archbishop, fruit trees symbolize the complicated, ever-evolving idea of personal legacy. In the 1700s, the Spanish priest Baltazar Montoya plants peach trees in his village of Ácoma, hoping that his expansive garden will be proof of his power and influence for years to come; instead, his resentful parishioners leave his peach trees to wilt, laughing as the dying old stumps keep “sending up pale sprouts for many years.” More than a century later, Bishop Latour—a religious leader with a very different temperament—also emphasizes the importance of these nourishing plants; “wherever there was a French priest,” he insists, “there should be a garden of fruit trees and vegetables and flowers.” But even as Latour hopes for this sort of living legacy, leaving his mark in the form of ever-renewing produce, he has to acknowledge that “we must not try to know the future.” Just as peach and plum and apricot trees represent the ephemeral, changeable concept of legacy, then, they also represent the limits of white European settlers’ desire to “master” nature—everyone from Latour to Vaillant to Montoya can plant fruit trees, but none of these men can control how the fruits of their labors are consumed and understood.
Fruit Trees Quotes in Death Comes for the Archbishop
The old grandfather had shown him arrowheads and corroded metals, and a sword hilt, evidently Spanish, that he had found in the earth near the water head. This spot had been a refuge for humanity long before these Mexicans had come upon it. It was older than history, like those wellheads in his own country where the Roman settlers had set up the image of a river goddess, and later the Christian priests had planted a cross. This settlement was his Bishopric in miniature: hundreds of square miles of thirsty desert, then a spring, a village, old men trying to remember their catechism to teach their grandchildren. The faith planted by the Spanish Friars and watered with their blood was not dead; it awaited only the toil of the husbandman.
So did they rid their rock of their tyrant, whom on the whole they had liked very well. But everything has its day. […] The women, indeed, took pleasure in watching the garden pine and waste away from thirst, and ventured into the cloisters to laugh and chatter at the whitening foliage of the peach trees, and the green grapes shriveling on the vines.
When the next priest came, years afterward, he found no ill will awaiting him. He was a native Mexican, of unpretentious tastes, who was well satisfied with beans and jerked meat, and let the pueblo turkey flock in the hot dust that had once been Baltazar’s garden. The old peach stumps kept sending up pale sprouts for many years.
Father Latour’s recreation was his garden. He grew such fruit as was hardly to be found even in the old orchards of California; cherries and apricots, apples and quinces, and the peerless pears of France—even the most delicate varieties. He urged the new priests to plant fruit trees wherever they went, and to encourage the Mexicans to add fruit to their starchy diet. Wherever there was a French priest, there should be a garden of fruit trees and vegetables and flowers. He often quoted to his students that passage from their fellow Auvergnat, Pascal: that Man was lost and saved in a garden.
It was [Latour’s] own misguided friend, Kit Carson, who finally subdued the last unconquered remnant of that people; who followed them into the depths of the Canyon de Chelly, whither they had fled from their grazing plains and pine forests to make their last stand […] This canyon had always before proved impenetrable to white troops. The Navajos believed it could not be taken. They believed that their old gods dwelt in the fastnesses of that canyon; like their Shiprock, it was an inviolate place, the very heart and center of their life.
Carson followed them down into the hidden world between those towering walls of red sandstone, spoiled their stores, destroyed their deep-sheltered corn-fields, cut down the terraced peach orchards so dear to them. When they saw all that was sacred to them laid waste, the Navajos lost heart. They did not surrender; they simply ceased to fight.