Death Comes for the Archbishop

Death Comes for the Archbishop

by

Willa Cather

Teachers and parents! Our Teacher Edition on Death Comes for the Archbishop makes teaching easy.
Fruit Trees Symbol Icon

In Death Comes for the Archbishop, fruit trees symbolize the complicated, ever-evolving idea of personal legacy. In the 1700s, the Spanish priest Baltazar Montoya plants peach trees in his village of Ácoma, hoping that his expansive garden will be proof of his power and influence for years to come; instead, his resentful parishioners leave his peach trees to wilt, laughing as the dying old stumps keep “sending up pale sprouts for many years.” More than a century later, Bishop Latour—a religious leader with a very different temperament—also emphasizes the importance of these nourishing plants; “wherever there was a French priest,” he insists, “there should be a garden of fruit trees and vegetables and flowers.” But even as Latour hopes for this sort of living legacy, leaving his mark in the form of ever-renewing produce, he has to acknowledge that “we must not try to know the future.” Just as peach and plum and apricot trees represent the ephemeral, changeable concept of legacy, then, they also represent the limits of white European settlers’ desire to “master” nature—everyone from Latour to Vaillant to Montoya can plant fruit trees, but none of these men can control how the fruits of their labors are consumed and understood.

Fruit Trees Quotes in Death Comes for the Archbishop

The Death Comes for the Archbishop quotes below all refer to the symbol of Fruit Trees. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Spirituality vs. the Material World Theme Icon
).
Book 1: Hidden Water Quotes

The old grandfather had shown him arrowheads and corroded metals, and a sword hilt, evidently Spanish, that he had found in the earth near the water head. This spot had been a refuge for humanity long before these Mexicans had come upon it. It was older than history, like those wellheads in his own country where the Roman settlers had set up the image of a river goddess, and later the Christian priests had planted a cross. This settlement was his Bishopric in miniature: hundreds of square miles of thirsty desert, then a spring, a village, old men trying to remember their catechism to teach their grandchildren. The faith planted by the Spanish Friars and watered with their blood was not dead; it awaited only the toil of the husbandman.

Related Characters: Jean-Marie Latour, Benito
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 22
Explanation and Analysis:
Book 3: The Legend of Fray Baltazar Quotes

So did they rid their rock of their tyrant, whom on the whole they had liked very well. But everything has its day. […] The women, indeed, took pleasure in watching the garden pine and waste away from thirst, and ventured into the cloisters to laugh and chatter at the whitening foliage of the peach trees, and the green grapes shriveling on the vines.

When the next priest came, years afterward, he found no ill will awaiting him. He was a native Mexican, of unpretentious tastes, who was well satisfied with beans and jerked meat, and let the pueblo turkey flock in the hot dust that had once been Baltazar’s garden. The old peach stumps kept sending up pale sprouts for many years.

Related Characters: Baltazar Montoya
Related Symbols: Fruit Trees
Page Number: 76
Explanation and Analysis:
Book 9: Chapter 1 Quotes

Father Latour’s recreation was his garden. He grew such fruit as was hardly to be found even in the old orchards of California; cherries and apricots, apples and quinces, and the peerless pears of France—even the most delicate varieties. He urged the new priests to plant fruit trees wherever they went, and to encourage the Mexicans to add fruit to their starchy diet. Wherever there was a French priest, there should be a garden of fruit trees and vegetables and flowers. He often quoted to his students that passage from their fellow Auvergnat, Pascal: that Man was lost and saved in a garden.

Related Characters: Jean-Marie Latour, Baltazar Montoya
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 176
Explanation and Analysis:
Book 9: Chapter 7 Quotes

It was [Latour’s] own misguided friend, Kit Carson, who finally subdued the last unconquered remnant of that people; who followed them into the depths of the Canyon de Chelly, whither they had fled from their grazing plains and pine forests to make their last stand […] This canyon had always before proved impenetrable to white troops. The Navajos believed it could not be taken. They believed that their old gods dwelt in the fastnesses of that canyon; like their Shiprock, it was an inviolate place, the very heart and center of their life.

Carson followed them down into the hidden world between those towering walls of red sandstone, spoiled their stores, destroyed their deep-sheltered corn-fields, cut down the terraced peach orchards so dear to them. When they saw all that was sacred to them laid waste, the Navajos lost heart. They did not surrender; they simply ceased to fight.

Related Characters: Jean-Marie Latour, Eusabio, Manuelito, Kit Carson
Related Symbols: Fruit Trees, Stones and Rock Formations
Related Literary Devices:
Page Number: 194
Explanation and Analysis:
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Fruit Trees Symbol Timeline in Death Comes for the Archbishop

The timeline below shows where the symbol Fruit Trees appears in Death Comes for the Archbishop. The colored dots and icons indicate which themes are associated with that appearance.
Book 3: The Rock
Spirituality vs. the Material World Theme Icon
Humanity’s Relationship with Nature Theme Icon
...Latour examines the church in greater detail, he notices a great garden, filled with now-dead peach trees . This cloistered garden makes him imagine the early missionaries, who might have closed their... (full context)
Book 3: The Legend of Fray Baltazar
Humanity’s Relationship with Nature Theme Icon
Colonialism, Industry, and Loss Theme Icon
Memory, Death, and Afterlives Theme Icon
...were warm to him—and though the new priest never worked on the garden, “the old peach stumps kept sending up pale sprouts for many years.” (full context)
Book 7: The Month of Mary
Humanity’s Relationship with Nature Theme Icon
Memory, Death, and Afterlives Theme Icon
...enough to appreciate Latour’s blossoming garden, which had been laid out six years ago with fruit trees from St. Louis. Vaillant has trained Fructosa’s husband Tranquilino as a gardener, and now many... (full context)
Book 9: Chapter 1
Friendship and Compromise Theme Icon
Humanity’s Relationship with Nature Theme Icon
Memory, Death, and Afterlives Theme Icon
...is choosing to live out his days near the village of Tesuque, near two giant apricot trees he had stumbled across in his travels. The apricot trees, which have existed since the... (full context)
Humanity’s Relationship with Nature Theme Icon
...crops. “Wherever there was a French priest,” Latour thinks, “there should be a garden of fruit trees and vegetables and flowers.” With the help of Bernard Ducrot, a young Seminarian recently arrived... (full context)