Death Comes for the Archbishop

Death Comes for the Archbishop

by

Willa Cather

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Themes and Colors
Spirituality vs. the Material World Theme Icon
Friendship and Compromise Theme Icon
Humanity’s Relationship with Nature Theme Icon
Colonialism, Industry, and Loss Theme Icon
Memory, Death, and Afterlives Theme Icon
LitCharts assigns a color and icon to each theme in Death Comes for the Archbishop, which you can use to track the themes throughout the work.
Colonialism, Industry, and Loss Theme Icon

Death Comes for the Archbishop depicts the years after the Mexican-American War (1846-1848), when American settlers and Catholic missionaries alike rejoiced at the acquisition of a new territory to colonize and convert. But while the novel celebrates the missionary work of protagonists like Bishop Jean-Marie Latour and Vicar Joseph Vaillant, the novel frequently hints at the damage colonization and industrialization have wrought. At one point, when Latour visits his indigenous guide Jacinto’s home, he is saddened to see that the man’s young baby is deathly ill—and this sickness makes Latour reflect on the myriad diseases Europeans have introduced (like “measles, scarlatina and whooping cough,” among others). At another moment, the novel makes a rare jump into Jacinto’s perspective to reflect his frustration with the “false faces” white men make as they condescend to and conceal from the indigenous people they work with. And by the end of the novel, the incomprehensible pain of colonialism has come to the fore—the penultimate chapter sees Latour meet with indigenous leader Manuelito, an encounter which forces him to at last reflect on the scope and violation of Americans’ displacement efforts.

By structuring her book this way, Cather makes readers contend with the genocide and erasure undergirding the development Latour and (especially) Vaillant have seen as “progress.” Characters like Manuel Chavez and Kit Carson (both real-life historical figures), beloved by the two priests, are revealed to be among the most violent oppressors; the conversions Latour and Vaillant celebrate pale in comparison to Carson’s desecration of indigenous sacred spaces. Ultimately, in shifting perspective so close to the end of the narrative, Cather—known for being deeply contradictory in her politics—undercuts her own narrative. And in concluding with Manuelito’s brief moment, Cather demands that readers rethink both this story and history as a whole.

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Colonialism, Industry, and Loss Quotes in Death Comes for the Archbishop

Below you will find the important quotes in Death Comes for the Archbishop related to the theme of Colonialism, Industry, and Loss.
Book 1: Hidden Water Quotes

The old grandfather had shown him arrowheads and corroded metals, and a sword hilt, evidently Spanish, that he had found in the earth near the water head. This spot had been a refuge for humanity long before these Mexicans had come upon it. It was older than history, like those wellheads in his own country where the Roman settlers had set up the image of a river goddess, and later the Christian priests had planted a cross. This settlement was his Bishopric in miniature: hundreds of square miles of thirsty desert, then a spring, a village, old men trying to remember their catechism to teach their grandchildren. The faith planted by the Spanish Friars and watered with their blood was not dead; it awaited only the toil of the husbandman.

Related Characters: Jean-Marie Latour, Benito
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 22
Explanation and Analysis:
Book 1: The Bishop Chez Lui Quotes

“Think of it, Blanchet; in all this vast country between the Mississippi and the Pacific Ocean, there is probably not another human being who could make the soup like this.”

“Not unless he is a Frenchman,” said Father Joseph. He had tucked a napkin over the front of his cassock and was losing no time in reflection.

“I am not deprecating your individual talent, Joseph,” the Bishop continued, “but, when one thinks of it, a soup like this is not the work of one man. It is the result of a constantly refined tradition. There are nearly a thousand years of history in this soup.”

Related Characters: Jean-Marie Latour (speaker), Joseph Vaillant (speaker)
Page Number: 26
Explanation and Analysis:
Book 3: Jacinto Quotes

The Bishop seldom asked Jacinto about his thoughts or beliefs. He didn’t think it polite, and he believed it to be useless. There was no way in which he could transfer his own memories of European civilization into the Indian mind, and he was quite willing to believe that behind Jacinto there was a long tradition, a story of experience, which no language could translate to him.

Related Characters: Jean-Marie Latour, Jacinto
Page Number: 62
Explanation and Analysis:
Book 3: The Rock Quotes

The rock, when one came to think of it, was the utmost expression of human need; even mere feeling yearned for it; it was the highest comparison of loyalty and love and friendship. Christ Himself had used that comparison for the disciple to whom he gave the keys of His Church. And the Hebrews of the Old Testament, always being carried captive into foreign lands,—their rock was an idea of God, the only thing their conquerors could not take from them.

Already the Bishop had observed in Indian life a strange literalness, often shocking and disconcerting. The Ácomas, who must share the universal human yearning for something permanent, enduring, without shadow of change—they had their idea in substance. They actually lived upon their rock; were born upon it and died upon it.

Related Characters: Jean-Marie Latour
Related Symbols: Stones and Rock Formations
Related Literary Devices:
Page Number: 66
Explanation and Analysis:
Book 3: The Legend of Fray Baltazar Quotes

So did they rid their rock of their tyrant, whom on the whole they had liked very well. But everything has its day. […] The women, indeed, took pleasure in watching the garden pine and waste away from thirst, and ventured into the cloisters to laugh and chatter at the whitening foliage of the peach trees, and the green grapes shriveling on the vines.

When the next priest came, years afterward, he found no ill will awaiting him. He was a native Mexican, of unpretentious tastes, who was well satisfied with beans and jerked meat, and let the pueblo turkey flock in the hot dust that had once been Baltazar’s garden. The old peach stumps kept sending up pale sprouts for many years.

Related Characters: Baltazar Montoya
Related Symbols: Fruit Trees
Page Number: 76
Explanation and Analysis:
Book 4: The Night at Pecos Quotes

Among the Indians measles, scarlatina and whooping-cough were as deadly as typhus or cholera. Certainly, the tribe was decreasing every year. Jacinto’s house was at one end of the living pueblo; behind it were long rock ridges of dead pueblo,—empty houses ruined by weather and now scarcely more than piles of earth and stone. The population of the living streets was less than a hundred adults. This was all that was left of the rich and populous Cicuyé of Coronado’s expedition. […]

As Father Latour sat by the fire and listened to the wind sweeping down from the mountains and howling over the plateau, he thought of these things; and he could not help wondering whether Jacinto, sitting silent by the same fire, was thinking of them, too.

Related Characters: Jean-Marie Latour, Jacinto, Clara
Page Number: 82
Explanation and Analysis:
Book 5: The Old Order Quotes

[Martínez’s face] was so unusual that he would be glad to see it again; a high, narrow forehead, brilliant yellow eyes set deep in strong arches, and full, florid cheeks,—not blank areas of smooth flesh, as in Anglo-Saxon faces, but full of muscular activity, as quick to change with feeling as any of his features. His mouth was the very assertion of violent, uncurbed passions and tyrannical self will; the full lips thrust out and taught, like the flesh of animals distended by fear or desire.

Father Latour judged that the day of lawless personal power was almost over, even on the frontier, and this figure was to him already like something picturesque and impressive, but really impotent, left over from the past.

Related Characters: Jean-Marie Latour, Antonio Jose Martínez
Page Number: 94
Explanation and Analysis:
Book 7: Eusabio Quotes

Father Latour judged that, just as it was the white man’s way to assert himself in any landscape, to change it, make it over (a little at least to leave some mark or memorial of his sojourn), it was the Indian’s way to pass through a country without disturbing anything; to pass and leave no trace, like fish through the water, or birds through the air.

It was the Indian manner to vanish into the landscape, not to stand out against it. The Hopi villages that were set upon rock masses, were made to look like the rock on which they sat, were imperceptible at a distance. The Navajo hogans, among the sand and willows, were made of sand and willows. […] They seemed to have none of the European’s desire to “master” nature, to arrange and re-create.

Related Characters: Jean-Marie Latour, Eusabio
Page Number: 152
Explanation and Analysis:
Book 9: Chapter 1 Quotes

Father Latour’s recreation was his garden. He grew such fruit as was hardly to be found even in the old orchards of California; cherries and apricots, apples and quinces, and the peerless pears of France—even the most delicate varieties. He urged the new priests to plant fruit trees wherever they went, and to encourage the Mexicans to add fruit to their starchy diet. Wherever there was a French priest, there should be a garden of fruit trees and vegetables and flowers. He often quoted to his students that passage from their fellow Auvergnat, Pascal: that Man was lost and saved in a garden.

Related Characters: Jean-Marie Latour, Baltazar Montoya
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 176
Explanation and Analysis:
Book 9: Chapter 3 Quotes

He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests […] The moisture of plowed land, the heaviness of labor and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert.

That air would disappear from the whole earth in time, perhaps; but long after his day. […] Something soft and wild and free, something that whispered to the ear on the pillow, lightened the heart, softly, softly picked the lock, slid the bolts, and released the prison spirit of man into the wind, into the blue and gold, into the morning, into the morning!

Related Characters: Jean-Marie Latour, Joseph Vaillant
Related Literary Devices:
Page Number: 182
Explanation and Analysis:
Book 9: Chapter 4 Quotes

There is always something charming in the idea of greatness returning to simplicity—the queen making hay among the country girls—but how much more endearing was the belief that They, after so many centuries of history and glory, should return to play Their first parts, in the persons of a humble Mexican family, the lowliest of the lowly, the poorest of the poor,—in a wilderness at the end of the world, where the angels could scarcely find Them!

Related Characters: Jean-Marie Latour, Kit Carson, Father Junipero
Related Symbols: The Cruciform Tree
Related Literary Devices:
Page Number: 186
Explanation and Analysis:
Book 9: Chapter 5 Quotes

Father Latour often said that his diocese changed little except in the boundaries. The Mexicans were always Mexicans, the Indians were always Indians. Santa Fé was a quiet backwater, with no natural wealth, no importance commercially. But Father Vaillant had been plunged into the midst of a great industrial expansion, where guile and trickery and honorable ambition all struggled together; a territory that developed by leaps and bounds and then experienced ruinous reverses. Every year, even after he was crippled, he travelled thousands of miles by stage and in his carriage, among the mountain towns that were now rich, now poor and deserted.

Related Characters: Jean-Marie Latour, Joseph Vaillant
Page Number: 190
Explanation and Analysis:
Book 9: Chapter 6 Quotes

After [Eusabio] was gone, the Bishop turned to Bernard; “My son, I have lived to see two great wrongs righted; I have seen the end of black slavery, and I have seen the Navajos restored to their own country.”

For many years Father Latour used to wonder if there would ever be an end to the Indian wars while there was one Navajo or Apache left alive. Too many traders and manufacturers made a rich profit out of that warfare; a political machine and immense capital were employed to keep it going.

Related Characters: Jean-Marie Latour (speaker), Eusabio, Bernard Ducrot
Page Number: 193
Explanation and Analysis:
Book 9: Chapter 7 Quotes

It was [Latour’s] own misguided friend, Kit Carson, who finally subdued the last unconquered remnant of that people; who followed them into the depths of the Canyon de Chelly, whither they had fled from their grazing plains and pine forests to make their last stand […] This canyon had always before proved impenetrable to white troops. The Navajos believed it could not be taken. They believed that their old gods dwelt in the fastnesses of that canyon; like their Shiprock, it was an inviolate place, the very heart and center of their life.

Carson followed them down into the hidden world between those towering walls of red sandstone, spoiled their stores, destroyed their deep-sheltered corn-fields, cut down the terraced peach orchards so dear to them. When they saw all that was sacred to them laid waste, the Navajos lost heart. They did not surrender; they simply ceased to fight.

Related Characters: Jean-Marie Latour, Eusabio, Manuelito, Kit Carson
Related Symbols: Fruit Trees, Stones and Rock Formations
Related Literary Devices:
Page Number: 194
Explanation and Analysis: