Death Comes for the Archbishop

Death Comes for the Archbishop

by

Willa Cather

Humanity’s Relationship with Nature Theme Analysis

Themes and Colors
Spirituality vs. the Material World Theme Icon
Friendship and Compromise Theme Icon
Humanity’s Relationship with Nature Theme Icon
Colonialism, Industry, and Loss Theme Icon
Memory, Death, and Afterlives Theme Icon
LitCharts assigns a color and icon to each theme in Death Comes for the Archbishop, which you can use to track the themes throughout the work.
Humanity’s Relationship with Nature Theme Icon

Death Comes for the Archbishop explores the American Southwest in the years after the Mexican-American War (1846–1848) and the Gadsden Purchase (1864), as technology, religion, and politics quickly transformed giant swathes of land. The following half-century saw the advent of cross-country railways, an explosion of Catholic churches and missionaries, new mines and new mining technologies, and ever-shifting boundaries that gave rise to ever-shifting laws. But rather than taking such rapid change for granted, the novel’s protagonist Bishop Jean-Marie Latour begins to see such eagerness to shape the natural environment as a trait associated with American colonizers. “It was the white man’s way,” Latour thinks, “to assert himself in any landscape, to change it, make it over a little (at least to leave some mark or memorial of his sojourn).” By contrast, the indigenous characters in the novel—namely Latour’s friend Eusabio and his guide Jacinto—work to preserve and honor their landscapes rather than reshaping them. Unlike American settlers or Catholic missionaries, who seek to recreate the same styles they know from other environments in this new terrain, indigenous tribes build rock houses on rock mesas, houses of sand and willows in sandy willow forests. Similarly, while colonial Europeans import new plants and plow new fields, Eusabio and his companions practice a removed, “leave no trace” approach.

Indeed, for many of the tribes Latour encounters, the landscape itself is holy. As Navajo leader Manuelito says of his people, the natural environment is “more sacred to them than churches, more sacred than any place is to a white man”—which is part of what makes settler-colonial displacement so cruel. But while the novel treats both forms of engaging with nature as valuable, even Latour has to acknowledge the heightened feeling that stems from the “leave no trace” ideology; not wanting to build up their environments, Latour reflects, the indigenous people “never desecrated” them. By the end of the novel, Latour comes to believe that landscapes should shape people more than people should shape landscapes, thus allowing nature to remain closer to the state of its “First Creation.”

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…
Get the entire Death Comes for the Archbishop LitChart as a printable PDF.
Death Comes for the Archbishop PDF

Humanity’s Relationship with Nature Quotes in Death Comes for the Archbishop

Below you will find the important quotes in Death Comes for the Archbishop related to the theme of Humanity’s Relationship with Nature.
Book 1: Hidden Water Quotes

[Latour] had expected to make a dry camp in the wilderness, and to sleep under a juniper tree, like the Prophet, tormented by thirst. But here he lay in comfort and safety, with love for his fellow creatures lowing like peace about his heart. If Father Vaillant were here, he would say, “A miracle”; that the Holy Mother, to whom he had addressed himself before the cruciform tree, had led him hither. And it was a miracle, Father Latour knew that. But his dear Joseph must always have the miracle very direct and spectacular, not with nature, but against it.

Related Characters: Jean-Marie Latour, Joseph Vaillant
Related Symbols: The Cruciform Tree
Page Number: 20
Explanation and Analysis:

The old grandfather had shown him arrowheads and corroded metals, and a sword hilt, evidently Spanish, that he had found in the earth near the water head. This spot had been a refuge for humanity long before these Mexicans had come upon it. It was older than history, like those wellheads in his own country where the Roman settlers had set up the image of a river goddess, and later the Christian priests had planted a cross. This settlement was his Bishopric in miniature: hundreds of square miles of thirsty desert, then a spring, a village, old men trying to remember their catechism to teach their grandchildren. The faith planted by the Spanish Friars and watered with their blood was not dead; it awaited only the toil of the husbandman.

Related Characters: Jean-Marie Latour, Benito
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 22
Explanation and Analysis:
Book 3: The Rock Quotes

The rock, when one came to think of it, was the utmost expression of human need; even mere feeling yearned for it; it was the highest comparison of loyalty and love and friendship. Christ Himself had used that comparison for the disciple to whom he gave the keys of His Church. And the Hebrews of the Old Testament, always being carried captive into foreign lands,—their rock was an idea of God, the only thing their conquerors could not take from them.

Already the Bishop had observed in Indian life a strange literalness, often shocking and disconcerting. The Ácomas, who must share the universal human yearning for something permanent, enduring, without shadow of change—they had their idea in substance. They actually lived upon their rock; were born upon it and died upon it.

Related Characters: Jean-Marie Latour
Related Symbols: Stones and Rock Formations
Related Literary Devices:
Page Number: 66
Explanation and Analysis:
Book 3: The Legend of Fray Baltazar Quotes

So did they rid their rock of their tyrant, whom on the whole they had liked very well. But everything has its day. […] The women, indeed, took pleasure in watching the garden pine and waste away from thirst, and ventured into the cloisters to laugh and chatter at the whitening foliage of the peach trees, and the green grapes shriveling on the vines.

When the next priest came, years afterward, he found no ill will awaiting him. He was a native Mexican, of unpretentious tastes, who was well satisfied with beans and jerked meat, and let the pueblo turkey flock in the hot dust that had once been Baltazar’s garden. The old peach stumps kept sending up pale sprouts for many years.

Related Characters: Baltazar Montoya
Related Symbols: Fruit Trees
Page Number: 76
Explanation and Analysis:
Book 5: The Old Order Quotes

[Martínez’s face] was so unusual that he would be glad to see it again; a high, narrow forehead, brilliant yellow eyes set deep in strong arches, and full, florid cheeks,—not blank areas of smooth flesh, as in Anglo-Saxon faces, but full of muscular activity, as quick to change with feeling as any of his features. His mouth was the very assertion of violent, uncurbed passions and tyrannical self will; the full lips thrust out and taught, like the flesh of animals distended by fear or desire.

Father Latour judged that the day of lawless personal power was almost over, even on the frontier, and this figure was to him already like something picturesque and impressive, but really impotent, left over from the past.

Related Characters: Jean-Marie Latour, Antonio Jose Martínez
Page Number: 94
Explanation and Analysis:

The swarthy Padre laughed, and threw off the big cat which had mounted to his shoulder. “It will keep you busy, Bishop. Nature has got the start of you here. But for all that, our native priests are more devout than your French Jesuits. We have a living church here, not a dead arm of the European church. Our religion grew out of the soil, and has its own roots. We pay a filial respect to the person of the Holy Father, but Rome has no authority here. We do not require aid from the Propaganda, and we resent its interference. The Church the Franciscan Fathers planted here was cut off; this is the second growth, and it is indigenous. Our people are the most devout left in the world.”

Related Characters: Antonio Jose Martínez (speaker), Jean-Marie Latour, Joseph Vaillant, Marino Lucero
Related Literary Devices:
Page Number: 97
Explanation and Analysis:
Book 5: The Miser Quotes

[Death] was not regarded as a moment when certain bodily organs ceased to function, but as a dramatic climax, a moment when the soul made its entrance into the next world, passing in full consciousness through a lowly door to an unimaginable scene. Among the watchers there was always the hope that the dying man might reveal something of what he alone could see; that his countenance, if not his lips, would speak, and on his features would fall some light or shadow from beyond. The “Last Words” of great men, Napoleon, Lord Byron, were still printed in gift books, and the dying murmurs of every common man and woman were listened for and treasured by their neighbors and kinsfolk. These sayings, no matter how unimportant, were given oracular significance and pondered by those who must one day go the same road.

Related Characters: Jean-Marie Latour, Joseph Vaillant, Marino Lucero
Page Number: 111
Explanation and Analysis:
Book 6: Don Antonio Quotes

Bishop Latour had one very keen worldly ambition: to build in Santa Fé a cathedral which would be worthy of a setting naturally beautiful. As he cherished this wish and meditated upon it, he came to feel that such a building might be a continuation of himself and his purpose, a physical body full of his aspirations after he had passed from the scene.

Related Characters: Jean-Marie Latour, Antonio Jose Martínez, Marino Lucero
Related Symbols: Stones and Rock Formations
Related Literary Devices:
Page Number: 115
Explanation and Analysis:
Book 7: Eusabio Quotes

Father Latour judged that, just as it was the white man’s way to assert himself in any landscape, to change it, make it over (a little at least to leave some mark or memorial of his sojourn), it was the Indian’s way to pass through a country without disturbing anything; to pass and leave no trace, like fish through the water, or birds through the air.

It was the Indian manner to vanish into the landscape, not to stand out against it. The Hopi villages that were set upon rock masses, were made to look like the rock on which they sat, were imperceptible at a distance. The Navajo hogans, among the sand and willows, were made of sand and willows. […] They seemed to have none of the European’s desire to “master” nature, to arrange and re-create.

Related Characters: Jean-Marie Latour, Eusabio
Page Number: 152
Explanation and Analysis:
Book 9: Chapter 1 Quotes

Father Latour’s recreation was his garden. He grew such fruit as was hardly to be found even in the old orchards of California; cherries and apricots, apples and quinces, and the peerless pears of France—even the most delicate varieties. He urged the new priests to plant fruit trees wherever they went, and to encourage the Mexicans to add fruit to their starchy diet. Wherever there was a French priest, there should be a garden of fruit trees and vegetables and flowers. He often quoted to his students that passage from their fellow Auvergnat, Pascal: that Man was lost and saved in a garden.

Related Characters: Jean-Marie Latour, Baltazar Montoya
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 176
Explanation and Analysis:
Book 9: Chapter 3 Quotes

He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests […] The moisture of plowed land, the heaviness of labor and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert.

That air would disappear from the whole earth in time, perhaps; but long after his day. […] Something soft and wild and free, something that whispered to the ear on the pillow, lightened the heart, softly, softly picked the lock, slid the bolts, and released the prison spirit of man into the wind, into the blue and gold, into the morning, into the morning!

Related Characters: Jean-Marie Latour, Joseph Vaillant
Related Literary Devices:
Page Number: 182
Explanation and Analysis:
Book 9: Chapter 4 Quotes

There is always something charming in the idea of greatness returning to simplicity—the queen making hay among the country girls—but how much more endearing was the belief that They, after so many centuries of history and glory, should return to play Their first parts, in the persons of a humble Mexican family, the lowliest of the lowly, the poorest of the poor,—in a wilderness at the end of the world, where the angels could scarcely find Them!

Related Characters: Jean-Marie Latour, Kit Carson, Father Junipero
Related Symbols: The Cruciform Tree
Related Literary Devices:
Page Number: 186
Explanation and Analysis:
Book 9: Chapter 7 Quotes

It was [Latour’s] own misguided friend, Kit Carson, who finally subdued the last unconquered remnant of that people; who followed them into the depths of the Canyon de Chelly, whither they had fled from their grazing plains and pine forests to make their last stand […] This canyon had always before proved impenetrable to white troops. The Navajos believed it could not be taken. They believed that their old gods dwelt in the fastnesses of that canyon; like their Shiprock, it was an inviolate place, the very heart and center of their life.

Carson followed them down into the hidden world between those towering walls of red sandstone, spoiled their stores, destroyed their deep-sheltered corn-fields, cut down the terraced peach orchards so dear to them. When they saw all that was sacred to them laid waste, the Navajos lost heart. They did not surrender; they simply ceased to fight.

Related Characters: Jean-Marie Latour, Eusabio, Manuelito, Kit Carson
Related Symbols: Fruit Trees, Stones and Rock Formations
Related Literary Devices:
Page Number: 194
Explanation and Analysis:
Book 9: Chapter 8 Quotes

[Latour] continued to murmur, to move his hands a little, and Magdalena thought he was trying to ask for something, or to tell them something. But in reality the Bishop was not there at all; he was standing in a tip-tilted green field among his native mountains, and he was trying to give consolation to a young man who was being torn in two before his eyes by the desire to go and the necessity to stay. He was trying to forge a new Will in that devout and exhausted priest; and the time was short, for the diligence for Paris was already rumbling down the mountain gorge.

Related Characters: Jean-Marie Latour, Joseph Vaillant, Eusabio, Marino Lucero, Magdalena
Page Number: 198
Explanation and Analysis: