Death Comes for the Archbishop

Death Comes for the Archbishop

by

Willa Cather

Memory, Death, and Afterlives Theme Analysis

Themes and Colors
Spirituality vs. the Material World Theme Icon
Friendship and Compromise Theme Icon
Humanity’s Relationship with Nature Theme Icon
Colonialism, Industry, and Loss Theme Icon
Memory, Death, and Afterlives Theme Icon
LitCharts assigns a color and icon to each theme in Death Comes for the Archbishop, which you can use to track the themes throughout the work.
Memory, Death, and Afterlives Theme Icon

Nearly all of the characters in Death Comes for the Archbishop are obsessed with their legacies—meaning both the Christian afterlife they might experience in heaven or hell, and the memories they will leave behind for those still on earth. As each character tries to balance these competing objectives, some go to extremes, prioritizing life after death over daily existence. Father Marino Lucero, for example, saves money (nearly 20,000 dollars in the currency of the day) in the hopes that these funds will save his soul—despite the fact that his greedy, miserly nature has caused harm to many of his parishioners. But as Lucero’s tormented vision of the afterlife shows, such a strategy is bound to fail. Instead, as protagonists Bishop Jean-Marie Latour and Vicar Joseph Vaillant come to learn, focusing only on what comes after death is futile. Memory will always transform and muddy the truth: a famous El Greco painting that was meant to signify an old Spaniard’s personal wealth winds up becoming an omen of rain for the Ácoma tribe; an 18th-century priest named Baltazar Montoya plants elaborate grape vines in his parish, which, once he is overthrown, come to symbolize not his power but his excesses; even the title of the book, which identifies Latour by the title (“Archbishop”) he held for only a few years, represents a kind of false memory. So rather than giving their attention to the legacies they will leave behind—or trying to figure out the unknowable afterlife—Latour and Vaillant work to build the best lives they can while they are still living. Accordingly, the two men travel across the country, appreciating beauty in nature and delighting in good food and good company. At one point, Latour muses that “wherever there was a French priest, there should be a garden of fruit trees and vegetables and flowers.” In other words, the surest thing after death is more life—a grove of fruit trees, holding memories but changing every day.

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Memory, Death, and Afterlives Quotes in Death Comes for the Archbishop

Below you will find the important quotes in Death Comes for the Archbishop related to the theme of Memory, Death, and Afterlives.
Book 1: Hidden Water Quotes

The old grandfather had shown him arrowheads and corroded metals, and a sword hilt, evidently Spanish, that he had found in the earth near the water head. This spot had been a refuge for humanity long before these Mexicans had come upon it. It was older than history, like those wellheads in his own country where the Roman settlers had set up the image of a river goddess, and later the Christian priests had planted a cross. This settlement was his Bishopric in miniature: hundreds of square miles of thirsty desert, then a spring, a village, old men trying to remember their catechism to teach their grandchildren. The faith planted by the Spanish Friars and watered with their blood was not dead; it awaited only the toil of the husbandman.

Related Characters: Jean-Marie Latour, Benito
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 22
Explanation and Analysis:
Book 3: The Wooden Parrot Quotes

“At Ácoma,” [Father Jesus] said, “you can see something very holy. They have their portrait of St. Joseph, sent to them by one of the Kings of Spain, long ago, and it has worked many miracles. If the season is dry, the Ácoma people take the picture down to their farms at Ácoma, and it never fails to produce rain. They have rain when none falls in all the country, and may have crops when the Laguna Indians have none.”

Related Characters: Father Jesus (speaker), Jean-Marie Latour, Baltazar Montoya, Garcia Maria de Allande, Father Ferrand
Page Number: 59
Explanation and Analysis:
Book 3: The Rock Quotes

The rock, when one came to think of it, was the utmost expression of human need; even mere feeling yearned for it; it was the highest comparison of loyalty and love and friendship. Christ Himself had used that comparison for the disciple to whom he gave the keys of His Church. And the Hebrews of the Old Testament, always being carried captive into foreign lands,—their rock was an idea of God, the only thing their conquerors could not take from them.

Already the Bishop had observed in Indian life a strange literalness, often shocking and disconcerting. The Ácomas, who must share the universal human yearning for something permanent, enduring, without shadow of change—they had their idea in substance. They actually lived upon their rock; were born upon it and died upon it.

Related Characters: Jean-Marie Latour
Related Symbols: Stones and Rock Formations
Related Literary Devices:
Page Number: 66
Explanation and Analysis:
Book 3: The Legend of Fray Baltazar Quotes

So did they rid their rock of their tyrant, whom on the whole they had liked very well. But everything has its day. […] The women, indeed, took pleasure in watching the garden pine and waste away from thirst, and ventured into the cloisters to laugh and chatter at the whitening foliage of the peach trees, and the green grapes shriveling on the vines.

When the next priest came, years afterward, he found no ill will awaiting him. He was a native Mexican, of unpretentious tastes, who was well satisfied with beans and jerked meat, and let the pueblo turkey flock in the hot dust that had once been Baltazar’s garden. The old peach stumps kept sending up pale sprouts for many years.

Related Characters: Baltazar Montoya
Related Symbols: Fruit Trees
Page Number: 76
Explanation and Analysis:
Book 4: The Night at Pecos Quotes

Among the Indians measles, scarlatina and whooping-cough were as deadly as typhus or cholera. Certainly, the tribe was decreasing every year. Jacinto’s house was at one end of the living pueblo; behind it were long rock ridges of dead pueblo,—empty houses ruined by weather and now scarcely more than piles of earth and stone. The population of the living streets was less than a hundred adults. This was all that was left of the rich and populous Cicuyé of Coronado’s expedition. […]

As Father Latour sat by the fire and listened to the wind sweeping down from the mountains and howling over the plateau, he thought of these things; and he could not help wondering whether Jacinto, sitting silent by the same fire, was thinking of them, too.

Related Characters: Jean-Marie Latour, Jacinto, Clara
Page Number: 82
Explanation and Analysis:
Book 5: The Miser Quotes

[Death] was not regarded as a moment when certain bodily organs ceased to function, but as a dramatic climax, a moment when the soul made its entrance into the next world, passing in full consciousness through a lowly door to an unimaginable scene. Among the watchers there was always the hope that the dying man might reveal something of what he alone could see; that his countenance, if not his lips, would speak, and on his features would fall some light or shadow from beyond. The “Last Words” of great men, Napoleon, Lord Byron, were still printed in gift books, and the dying murmurs of every common man and woman were listened for and treasured by their neighbors and kinsfolk. These sayings, no matter how unimportant, were given oracular significance and pondered by those who must one day go the same road.

Related Characters: Jean-Marie Latour, Joseph Vaillant, Marino Lucero
Page Number: 111
Explanation and Analysis:
Book 6: Don Antonio Quotes

Bishop Latour had one very keen worldly ambition: to build in Santa Fé a cathedral which would be worthy of a setting naturally beautiful. As he cherished this wish and meditated upon it, he came to feel that such a building might be a continuation of himself and his purpose, a physical body full of his aspirations after he had passed from the scene.

Related Characters: Jean-Marie Latour, Antonio Jose Martínez, Marino Lucero
Related Symbols: Stones and Rock Formations
Related Literary Devices:
Page Number: 115
Explanation and Analysis:
Book 7: Eusabio Quotes

Father Latour judged that, just as it was the white man’s way to assert himself in any landscape, to change it, make it over (a little at least to leave some mark or memorial of his sojourn), it was the Indian’s way to pass through a country without disturbing anything; to pass and leave no trace, like fish through the water, or birds through the air.

It was the Indian manner to vanish into the landscape, not to stand out against it. The Hopi villages that were set upon rock masses, were made to look like the rock on which they sat, were imperceptible at a distance. The Navajo hogans, among the sand and willows, were made of sand and willows. […] They seemed to have none of the European’s desire to “master” nature, to arrange and re-create.

Related Characters: Jean-Marie Latour, Eusabio
Page Number: 152
Explanation and Analysis:
Book 8: Auspice Maria! Quotes

Yes, [Vaillant] reflected, as he went quietly to his own room, there was a great difference in their natures. Wherever he went, he soon made friends that took the place of country and family. But Jean, who was at ease in any society and always the flower of courtesy, could not form new ties. It had always been so. He was like that even as a boy; gracious to everyone, but known to a very few. […] But God had his reasons, Father Joseph devoutly believed. Perhaps it pleased Him to grace the beginning of a new era and a vast new diocese by a fine personality. And perhaps, after all, something would remain through the years to come; some ideal, or memory, or legend.

Related Characters: Jean-Marie Latour, Joseph Vaillant
Related Literary Devices:
Page Number: 167
Explanation and Analysis:
Book 9: Chapter 1 Quotes

Father Latour’s recreation was his garden. He grew such fruit as was hardly to be found even in the old orchards of California; cherries and apricots, apples and quinces, and the peerless pears of France—even the most delicate varieties. He urged the new priests to plant fruit trees wherever they went, and to encourage the Mexicans to add fruit to their starchy diet. Wherever there was a French priest, there should be a garden of fruit trees and vegetables and flowers. He often quoted to his students that passage from their fellow Auvergnat, Pascal: that Man was lost and saved in a garden.

Related Characters: Jean-Marie Latour, Baltazar Montoya
Related Symbols: Fruit Trees
Related Literary Devices:
Page Number: 176
Explanation and Analysis:
Book 9: Chapter 8 Quotes

[Latour] continued to murmur, to move his hands a little, and Magdalena thought he was trying to ask for something, or to tell them something. But in reality the Bishop was not there at all; he was standing in a tip-tilted green field among his native mountains, and he was trying to give consolation to a young man who was being torn in two before his eyes by the desire to go and the necessity to stay. He was trying to forge a new Will in that devout and exhausted priest; and the time was short, for the diligence for Paris was already rumbling down the mountain gorge.

Related Characters: Jean-Marie Latour, Joseph Vaillant, Eusabio, Marino Lucero, Magdalena
Page Number: 198
Explanation and Analysis: